Sci-Fi Archives | Based on a True Story https://www.basedonatruestorypodcast.com/category/sci-fi/ The podcast that compares Hollywood with history. Thu, 18 Sep 2025 12:04:03 +0000 en-US hourly 1 https://wordpress.org/?v=6.9 https://www.basedonatruestorypodcast.com/wp-content/uploads/2017/01/favicon-2-150x150.gif Sci-Fi Archives | Based on a True Story https://www.basedonatruestorypodcast.com/category/sci-fi/ 32 32 109395640 330: This Week: The Trench, 1776, The Pride of the Yankees, Lawrence of Arabia, Project Blue Book https://www.basedonatruestorypodcast.com/330-this-week-the-trench-1776-the-pride-of-the-yankees-lawrence-of-arabia-project-blue-book/ https://www.basedonatruestorypodcast.com/330-this-week-the-trench-1776-the-pride-of-the-yankees-lawrence-of-arabia-project-blue-book/#respond Mon, 01 Jul 2024 10:30:00 +0000 https://www.basedonatruestorypodcast.com/?p=11216 In this episode, we’ll learn about historical events that happened this week in history as they were depicted in these four movies: The Trench, 1776, The Pride of the Yankees, Lawrence of Arabia, and the TV series Project Blue Book. Events from This Week in History Monday: The Trench Wednesday/Thursday: 1776 Thursday: The Pride of the Yankees […]

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In this episode, we’ll learn about historical events that happened this week in history as they were depicted in these four movies: The Trench, 1776, The Pride of the Yankees, Lawrence of Arabia, and the TV series Project Blue Book.

Events from This Week in History

 

Birthdays from This Week in History

 

A Historical Movie Released This Week in History

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Transcript

Note: This transcript is automatically generated. There will be mistakes, so please don’t use them for quotes. It is provided for reference use to find things better in the audio.

July 1st, 1916. Northern France.

The sky is an eerie yellow-orange color. Silhouetted against the eerie light in the foreground we can see two soldiers wearing British-style helmets. While they face the left side of the camera’s frame, another soldier walks on the right side of the frame in the trenches. Also, on the right side we can see posts with barbed wire strung between them.

The camera cuts to a soldier sitting in one of the trenches. Text on the screen tells us it’s 5:30 AM. The soldier is smoking a cigarette as he writes something down, presumably a letter. When the camera angle cuts closer, we can see his face a little better. This is Daniel Craig’s character, Sgt. Telford Winter. After examining the letter one last time, Winter folds it up and puts it into an envelope. Then, he picks up his rifle and puts on his helmet.

He walks down the trench a little way and says “good morning” to some other soldiers. It’s still very dark, so it’s hard to see how many soldiers are there, but I can count at least five or six at any one time on screen. It makes for what looks like cramped quarters in the trenches.

A few minutes further into the movie, it’s brighter outside now as the sun seems to have risen further. The battle is about to begin.

The true story behind this week’s event depicted in the movie The Trench

That is how the 1999 movie called The Trench shows an event that happened this week in history…and right up front it’s helpful to know this movie is trying to capture the essence of what it was like for the British soldiers leading up to the battle. So, it’s not going to be entirely accurate to everything that happened or even the soldiers who were there. For example, I couldn’t find anything in my research to suggest Daniel Craig’s character, Sgt. Winter, was based on a specific soldier.

With that said, though, the movie is correct to show the Battle of the Somme starting this week in history on July 1st, 1916. The name coming from the Somme River in Northern France.

By the end of July 1st, the British Army alone suffered 57,000 casualties marking the bloodiest day in its history. The battle lasted for 140 days, from July 1st to November 18th, 1916, and in that time over three million soldiers fought.

The British suffered 420,000 casualties, the French around 200,000, and the Germans lost at least 450,000 men. So, with over a million men killed or wounded, the Battle of the Somme went down as one of the deadliest battles in human history.

Some people refer to the Battle of the Somme as the start of modern warfare because it was during this battle that the first tanks were used when the British sent them into action on September 15th, 1916. It was also the first time a creeping barrage was used in battle. That’s when artillery continues to move forward to lay cover for infantry close behind it.

Well, I guess, technically that wasn’t the first time—the Bulgarians used a creeping barrage during the siege of Adrianople in March of 1913, but with the start of World War I in 1914, most of the rest of the world had already forgotten about that event and in a way it was re-invented at the Battle of the Somme.

If you want to watch the depiction on screen, check out the 1999 movie called The Trench. Most of the movie is set this week in history as it starts on June 29th, 1916, but the beginning of July 1st starts at an hour, eight minutes and 47 seconds into the film.

 

July 3rd, 1776. Philadelphia, Pennsylvania.

A piece of paper reading July 2 is torn off to reveal the new date underneath. July 3.

We’re inside a large room with tall ceilings. And we’re not alone; there are a number of well-dressed men sitting at desks scattered throughout the room.

David Ford’s version of John Hancock bangs a gavel on his desk and stands up. He addresses the room, asking if there are any objections to the declaration as it stands now. William Daniels’ character, John Adams, stands up and says he has one. He points out that the correct word is “unalienable” and not “inalienable.”

Ken Howard’s version of Thomas Jefferson replies by saying that, no, “inalienable” is the correct word. Adams disagrees. The men in the room murmur. Calling the room to order by banging the gavel again, Hancock asks if Jefferson will yield to Mr. Adams’ request. Jefferson refuses.

After a moment, Adams withdraws his objection and sits back down.

Then, John Hancock puts a large piece of paper on the desk. The camera cuts to a closeup as we see him signing his name beneath all the writing. Someone comments how large his signature is and Hancock replies it’s so “Fat George” in London can read it without his glasses. Everyone laughs at this.

Hancock tells everyone to step up. “Don’t miss your chance to commit treason,” he says.

Just then, a messenger enters the room and hands a piece of paper off. Standing in front of everyone, it’s read aloud. The message is a report. It says the eve of battle is near. It also says the forces consist entirely of Haslet’s Delaware Militia and Smallwood’s Marylanders—5,000 troops to stand against 25,000 of the enemy.

The laughing from just a moment ago turns to a somber note as everyone realizes this is serious. The report continues to say the enemy is in plain sight beyond the river. We do not know how this will end, but there will be brave men lost before it does. The report is signed, “G. Washington.”

As the reading of the report is finished, William Duell’s version of Andrew McNair gets up from his chair. He steps up to the piece of paper that reads July 3. Tearing off the top piece, now it is July 4.

Hancock instructs McNair to ring the bell.

The true story behind this week’s event depicted in the movie 1776

That is how the movie called 1776 tells the story of an event that happened this week in history when the Continental Congress approved the Declaration of Independence on July 4th, 1776.

The true story? Well, it’s not really what we see in the movie. But that’s not too surprising because even though it’s not so obvious from the segment we’re talking about today, the movie 1776 is a musical interpretation of the events.

With that said, though, it is true that John Hancock was the first person to sign the Declaration of Independence. And his signature was the largest and horizontally centered on the Declaration—that’s why the saying of leaving one’s “John Hancock” is a term people use for signing a document today.

The other people in the movie are based on real people in history, too. Thomas Jefferson, John Adams, and the custodian in Continental Congress, Andrew McNair, was known as the official ringer of the Liberty Bell.

Although the movie’s timeline is simplifying things quite a bit, too.

What really happened on July 4th, 1776 was that after the final wording was approved on the Fourth, a handwritten copy of the Declaration of Independence was sent to a nearby print shop owned by a man named John Dunlap. That night, Dunlap got to work on printing a couple hundred copies of it for distribution.

On July 6th, the first newspaper printed a copy of the Declaration.

And while it is likely that Andrew McNair was the one to ring the Liberty Bell to announce independence, that didn’t happen until July 8th. They had delayed it by four days to allow for printing the document for the first public readings of the document. That reading happened on July 8th.

From there, the word started to spread like wildfire. On July 9th, John Hancock sent a copy to George Washington who read it to his troops in New York City. Crowds of people started to tear down statues and anything representing British or royal authority.

As a quick side note, the movie’s joke about “Fat George” isn’t referencing George Washington—you probably already guessed that. It’s referring to King George III, who was the monarch on the British throne at the time.

While British officials sent copies back to Great Britain, it wasn’t until mid-August that the Declaration was printed in British newspapers.

If you want to see this week in history as it’s shown in the movie, check out the 1972 film called 1776. Andrew McNair tearing off the paper to mention it’s July 3rd started at about two hours, 39 minutes into the movie while July 4th starts a little later at two hours, 43 minutes and 38 seconds.

And as a little bit of extra trivia knowledge for you to share with your friends and family this July 4th, it was actually 20 years later that Independence Day was celebrated for the first time: July 4th, 1796.

And in a bizarre twist of fate, it was exactly 50 years after America’s birthday that two of the Founding Fathers mentioned in this segment died when Thomas Jefferson and John Adams both passed away on July 4th, 1826. They died within five hours of each other. Exactly five years after that, another Founding Father died when James Monroe passed away on July 4th, 1831. Jefferson, Adams, and Monroe were not only Founding Fathers but they were the second, third, and fifth President of the United States, respectively.

 

July 4th, 1939. New York, New York.

Our next movie is in black and white. In the foreground, a man sits in front of a microphone doing something a lot like what I’m doing right now: Describing what he sees happening in front of him.

Except he’s not describing a movie like I am. On the other side of the table with his microphone we can see some netting, and beyond that a huge baseball stadium. He’s the radio announcer for the game.

He tells us that 62,000 people have jammed into Yankee Stadium this afternoon to pay tribute to the man who gave his all to the team for the past 16 years.

The camera cuts a little closer a marching band in uniform on the field, and it’s obvious there’s not an empty seat in the house. There are shots of fans enjoying the performance on the field as the radio announcer continues to talk about the man known as Larruping Lou and the Iron Man playing 2,130 consecutive games over those 16 years.

Now, he says, everyone is here to say farewell to Lou Gehrig—the pride of the Yankees.

In the tunnel, Gary Cooper’s version of Gehrig is wearing a Yankees uniform. By his side is his wife, Eleanor Gehrig. She’s played by Teresa Wright in the film. Slowly, they walk hand-in-hand, down the stairs. Lou stops part-way down and looks back at Teresa, who smiles at her husband.

Then, he lets go of her hand and continues down the dark tunnel to the light on the other side and out onto the field. The camera cuts back to Eleanor so we can’t see Lou stepping onto the field, but we can hear the crowd erupting into cheers. We can only assume they’re cheering at the sight of Lou on the field.

Instead of seeing him, though, we can see tears in Eleanor’s eyes for a moment before bursting into a full sob. She continues crying until the camera cuts back to the field.

Now we can see two rows of uniformed baseball players. On the right side of the frame are players in Yankee pinstripes. On the left side is a row of players with a “W” on their arm. All of them have their hats off, and they’re all looking at home plate in the center of the frame.

There, on the far side of where the camera is angled, we can see more people near home plate. Some are wearing business suits. There’s a podium with a banner of stars and stripes by the plate. And then there’s Lou Gehrig, wearing #4 on the back of his Yankees uniform.

Although it’s not visible in the movie, based on how this scene is framed it looks like the camera is on the pitcher’s mound with Gehrig and the other men by home plate and both teams lining the space from the mound to home.

The radio announcer continues to describe what’s going on as he says the Yankee’s manager Joe McCarthy hands Lou Gehrig a plaque. And then, just as he describes, on the screen in the movie we can see actor Harry Harvey’s version of Yankee manager Joe McCarthy hand Gary Cooper’s version of Lou Gehrig a plaque. Most of the writing is too small to read, but the headline at the top clearly says “Don’t Quit” in all caps.

McCarthy puts the plaque down, now, and turns to be handed a trophy. He then gives the trophy to Gehrig. It’s from his teammates on the Yankees, as a token of their appreciation for him. As Gehrig holds the trophy, the camera cuts back to the angle with the rows of players and we can see all of them start clapping for Gehrig. In the stands, everyone follows the players and they give Gehrig a standing ovation.

Then, a man in a suit identified by the radio announcer as New York City Mayor Fiorello LaGuardia steps up to the podium with his back to the camera but facing toward the crowd behind home plate. We can’t hear what he’s saying, but he seems to say something briefly before turning to Gehrig and giving him a hearty handshake before making way for yet another man in a suit who steps up to the podium.

The radio announcer tells us this is the Postmaster General of the United States, Tim Farley. And again, he seems to say something to the crowd that we can’t hear. And again, only a few seconds later, he turns to shake Gehrig’s hand before leaving the podium for the next person.

Wearing a white suit, that person is identified by the announcer as none other than the Sultan of Swat: Babe Ruth. After saying something into the mic, he walks over to Gehrig to give him a handshake. This time the movie cuts up close to show Babe Ruth putting his arm around Lou Gehrig. After a moment, Ruth lets go of Gehrig and walks off.

Yankees Manager Joe McCarthy steps up to the podium now. Then, he gives Gehrig another handshake and walks with him to the podium. Finally, it’s Lou Gehrig’s turn to address the crowd.

As Gehrig steps up, the crowd goes crazy. They had sat back down, but now again everyone gives him another standing ovation. At the microphones, Gehrig takes in some deep breaths with his eyes cast down to the ground. Then he looks up as if to speak, but the crowd is still cheering, hooping, and hollering. He smiles a little bit as he looks around.

Then, he opens his mouth, and the crowd starts to quiet.

By the time Gary Cooper’s version of Lou Gehrig speaks, the crowd is hushed so they can hear what he has to say.

“I have been walking on ball fields for 16 years, and I have never received anything but kindness and encouragement from you fans. I have had the great honor to have played with these great veteran ballplayers on my left, Murderer’s Row, our championship team of 1927. I have had the further honor of living with and playing with these men on my right, the Bronx Bombers, the Yankees of today. I have been given fame and undeserved praise by the boys up there behind the wire in the press box. I have worked under the two greatest managers of all time, Miller Huggins and Joe McCarthy. I have a mother and father who fought to give me health and a solid background in my youth.”

The camera cuts to show an older man and woman, who we can assume are his mother and father. She puts a handkerchief to her face in a move that looks as if she’s dabbing away tears. Back on the field, Gehrig continues his speech. And now we can see what looks like tears starting to grow in his eyes, too.

“I have a wife, a companion for life…”

Again, the camera cuts away, this time to Eleanor who is still in the same place in the tunnel where Lou left her. She’s still crying, but a slight smile crosses her face when he talks about her.

“…who has shown me more courage than I ever knew. People all say that I have had a bad break. But today…today, I consider myself the luckiest man on the face of the earth.”

With that, Gehrig covers his mouth in thought for a brief moment before turning away from the microphones and the crowd goes wild. He walks past Babe Ruth, Joe McCarthy, and the rest of the Yankees. The crowd continues to cheer as he walks toward the third base dugout.

When he reaches the dugout, the movie cuts closer as he walks down the steps and back into the tunnel he came from a few minutes earlier. As Gehrig disappears out of the sunlight and into the shadows of the dark tunnel, in the background we can hear the umpire yelling, “Play ball!”

The true story behind this week’s event depicted in the movie The Pride of the Yankees

That is how the 1942 movie called The Pride of the Yankees shows an event that happened this week in history: Lou Gehrig’s final public appearance at Yankee Stadium just a few years before the movie on July 4th, 1939.

If you’re a baseball fan, you know who he was…if you’re not a baseball fan, Lou Gehrig was one of the greatest players in Major League Baseball history.

Gehrig’s final appearance at Yankee Stadium, however, wasn’t to play a baseball game. It was to say goodbye.

Let’s get some more historical context that we don’t see in the movie’s segment I just described. To do that, we’ll go back about a year earlier to the Yankee’s 1938 season.

As that season progressed, Gehrig started noticing more and more that something was off. He couldn’t figure out exactly what it was, but his hands would ache, and he just couldn’t hit as well as he used to. So, he adjusted his swing, his stance, and the weight of his bat while his manager moved him in the batting order to try to get him out of his slumps throughout the season.

Of course, his slumps didn’t change that he was still Lou Gehrig. Even with signs of an issue, he worked hard to overcome it. In the 1938 season, Lou Gehrig hit .295 with 29 homers and 113 RBIs. So, he still had a great year.

But then, during the offseason, things didn’t get better. They got worse. Much worse. Gehrig’s balance was off. He wouldn’t be able to grasp things as well.

In the movie, we see Teresa Wright’s character, Eleanor Gehrig. And that really was Lou Gehrig’s wife’s name.

And in the true story, during the offseason as her husband was more clumsy than usual by dropping items or tripping over curbs, she started to be worried it might be something more. Maybe a brain tumor?

So, she and Lou went to the doctor. The diagnosis was a bad gallbladder, and he put Lou on a diet of fruits and veggies.

Even before the 1939 season started, during spring training, things had degraded enough to be noticeable to some of Gehrig’s teammates. They could tell he wasn’t right. But, he’s still Lou Gehrig…so, of course, when the 1939 season officially started, he was in the lineup just like he was in every game.

But he started in a bad slump. A career .340 hitter, Gehrig started the 1939 season hitting only .143. Not only that, but Gehrig could tell things hadn’t gotten better.

So, Gehrig asked to be taken out of the lineup. He did that on May 2nd, 1939, meaning his last game on April 30th was officially the end of his consecutive game streak playing in 2,130 games over 14 years. We learned more about that on episode #316 of Based on a True Story for the week that happened.

After taking himself out of the lineup, for the rest of May he still suited up and traveled with the team even though he didn’t play. In June, he tried playing again in a minor league exhibition game. He didn’t last the whole game, though, so he and Eleanor went back to the doctors to get more answers. Within a few weeks, those doctors diagnosed him with amyotrophic lateral sclerosis or ALS…or, as it’s most commonly known today, “Lou Gehrig’s Disease.”

Taking a step back for how fast a lot of this happened for the public, the 1939 season started in April as it did for the past 14 years with Gehrig continuing his consecutive games streak. On June 21st, 1939, the world found out Gehrig was officially retiring from baseball.

And then, on July 4th, 1939, the Yankees were playing a double-header against the Washington Senators. Between the two games, they held a special ceremony they simply called Lou Gehrig Appreciation Day. The movie was correct to show a few people addressing the sold-out crowd, including the mayor of New York City, Fiorello LaGuardia, as well as the Postmaster General, a man named James Farley.

The movie was also correct to show bands playing as they march around the field. It was also correct to show the framed sign given to Gehrig with the headline “Don’t Quit.” I’ll include a link in the show notes for some actual footage from the event where you can see those things.

Something we don’t really see in the movie, though, is that after others expressed their appreciation for Gehrig, the man himself almost didn’t speak to the crowd. The emcee for the event, reporter Sid Mercer, announced Gehrig, but he didn’t step up to the mics. Instead, he whispered something into Mercer’s ear who, in turn, told the crowd that Gehrig was too moved to speak but he asked Mercer to thank everyone.

Imagine being in a stadium packed with people–the movie mentions 62,000 people, but in the true story it was actually 61,808. I guess we can give it to the movie, though, haha! But all those people started chanting, “We want Gehrig!”

So, Gehrig stepped up to the mics and gave what many people consider to be one of the most famous speeches in sports history. Let me set this up real quick…because you’re going to hear Lou’s voice and my voice…because, unfortunately, a recording of the whole speech doesn’t exist.

But we do have part of it; the rest of it has been filled in by historians through newspaper reports from the day. And you’ll notice in the movie they actually do the “luckiest man on the face of the earth” at the end, but in the real speech you’ll notice that’s how he starts the speech…so, let’s start with Lou’s actual audio from July 4th, 1939:

Fans, for the past two weeks, you’ve been reading about a bad break.

[pause]

Today I consider myself the luckiest man on the face of the earth.

I have been in ballparks for 17 years and have never received anything but kindness and encouragement from you fans.

When you look around, wouldn’t you consider it a privilege to associate yourself with such fine-looking men as are standing in uniform in this ballpark today?

Sure, I’m lucky.

Who wouldn’t consider it an honor to have known Jacob Ruppert? Also, the builder of baseball’s greatest empire, Ed Barrow? To have spent six years with that wonderful little fellow, Miller Huggins? Then to have spent the next nine years with that outstanding leader, that smart student of psychology, the best manager in baseball today, Joe McCarthy? Sure, I’m lucky.

When the New York Giants, a team you would give your right arm to beat, and vice versa, sends you a gift—that’s something. When everybody down to the groundskeepers and those boys in white coats remember you with trophies—that’s something. When you have a wonderful mother-in-law who takes sides with you in squabbles with her own daughter—that’s something. When you have a father and a mother who work all their lives so you can have an education and build your body—it’s a blessing. When you have a wife who has been a tower of strength and shown more courage than you dreamed existed—that’s the finest I know.

So I close in saying that I might have been given a bad break, but I’ve got an awful lot to live for. — Thank you.

In the movie, we see Babe Ruth at the ceremony. And that is very true. Not only was Babe Ruth at Lou Gehrig Appreciation day in 1939, but the real Babe Ruth played himself in the 1942 movie that re-enacted the event from this week in history.

If you want to watch that, hop into the show notes to find where you can watch The Pride of the Yankees. We started our segment from this week in history about two hours into the movie.

 

July 6th, 1917. Aqaba, Jordan.

A bell rings, alerting everyone to the attack.

The lookout ringing the bell is in a square-shaped defensive position lined with sandbags. On the sandy desert below, we can see rows of white tents. Tiny people in the distance are moving around the tents, mostly running in the opposite direction as the oncoming attackers.

From an angle behind the lookout, we can see the attackers charging in the distance. After he’s done ringing the bell, the lookout raises his rifle and shoots.

The camera cuts to a closer shot on the attackers. They’re all riding on either horses or camels, huge plumes of sand getting kicked up by what must be hundreds of horses charging the enemy ahead. One of the soldiers gets hit, presumably by the lookout’s shot. But it doesn’t slow anyone down as they gallop ahead.

All the men on horseback start ululating as they charge forward. Some of them are on camels, and the camera focuses on one of the men wearing all white as he urges his camel onward. The camera cuts to a further away shot and we can see the attackers on horses and camels rushing the encampment. They reach the white tents to be greeted by the sound of gunshots. Some of them fall, but others continue forward with the attack.

Defenders are cut down and before long, it seems obvious the attackers have the upper hand. The cinematic music swells as we see the attackers rushing passed the tents to the city behind it—pushing the defenders back toward the water just beyond the city.

The true story behind this week’s event depicted in the movie Lawrence of Arabia

That depiction comes from the 1962 film Lawrence of Arabia and it’s showing an event that happened this week in history on July 6th, 1917, when Arab forces led by Sherif Nasir and Auda abu Tayi along with the British officer T.E. Lawrence defeated the Ottoman Empire at the important coastal city of Aqaba.

For a little more historical context, this whole conflict was part of the Middle Eastern theater of World War I, and the British were assisting the Arabs revolt against the Ottoman Empire.

This specific battle is referred to as the Battle of Aqaba, and in the movie, we see it being almost as if the attackers overrun the defenders. There seems to be hardly any slowing them down, and for the most part that’s true.

There were about 5,000 men in the Arab force that attacked about 1,100 defenders. The attack mostly came from the desert, although the British Navy assisted as well. Coming from the desert was a complete surprise to the Turks, though, because they assumed no one could make the 600-mile desert journey.

But, that’s exactly what they did.

And the result was a lopsided victory for the Arabs, with only two Arabs killed while the defending Turks suffered about 300 casualties.

As T.E. Lawrence wrote in his book:

The Arabs needed Akaba: firstly, to extend their front, which was their tactical principle; and, secondly, to link up with the British.

Or, in other words, because Aqaba was a port city, it allowed the British Royal Navy to help supply them from the water.

If you want to watch the event that happened this week in history, check out 1962’s Lawrence of Arabia and the day of the battle starts at about an hour and 47 minutes into the movie. And if you want to dig deeper into the true story, we covered that back on episode #49 of Based on a True Story.

 

STOPPED RECORDING HERE

July 7th, 1947. New Mexico.

A line of military vehicles are driving along a dirt road. It seems to be a mixture of larger transport trucks and some smaller Jeeps. The terrain around the dirt road is desolate with little more than rocks, sagebrush, and dirt.

One of the men in one of the Jeeps points ahead, “There it is!”

We can catch a glimpse of some smoke rising up from something ahead.

In the next shot, it’s a little easier to see what’s happening. There’s a depression in the terrain. Along the ridge, men in military uniforms walk up to look at the smoke billowing out from below. Not everyone is in military uniforms, though, a couple of the men are in plainclothes.

Now we can see what’s causing the fire. A huge pile of tires are burning. Orange flames and black smoke are flying into the sky.

One of the military men, who seems to be an officer, barks out orders to other soldiers to put the fire out. There’s a flag in the middle of the flames.

“Get that flag out of there!” the officer yells.

As the soldiers spring to action, one of the plainclothes men wearing a white hat notices one of the soldiers carrying a box. The soldier says it’s locked. It’s a little easier to identify the men now, and the man in a white hat is Aidan Gillen’s character, Dr. J. Allen Hynek. He turns to the other plainclothes man, Michael Malarkey’s character, Captain Michael Quinn, and asks him when the original crash was reported in the press.

Quinn says it was July 8th, 1947. Hynek uses that code to unlock the combination lock on the box. It works. Inside is a single piece of paper. Quinn reads it:

“In 1947, alien spacecraft crashed in this desert. Before you stands the man who covered it all up, General Harding. Tomorrow at 9 am I will show the world proof of what really happened in Roswell, New Mexico.”

The true story behind this week’s event depicted in the TV series Project Blue Book

Okay, so there’s a few things to separate here to get to the true story.

Let’s start with where this scene comes from, it’s from the first episode of season two in the History Channel’s TV series called Project Blue Book.

Dr. J. Allen Hynek was a real person who really was in charge of Project Blue Book—that’s what the U.S. Air Force called their official investigation into UFOs. The character of Captain Quinn, though, is a fictional character.

And I’ll admit up front this sequence is not showing something that happened in 1947. The reason for that is because the TV series is set much later, so this is a fictional scene to try and backtrack and talk about one of the world’s most popular conspiracy theories: The UFO crash at Roswell, New Mexico.

Also, the date the TV show just mentioned is right, although you’ll notice that the series mentioned that’s when it was reported in the press…not when it actually happened.

That’s a bit of a loaded phrase, isn’t it? I mean, when it comes to the topic of a UFO crash…did it actually happen at all? Plenty of folks will disregard it simply because of the topic.

Well, if we could say without a shadow of a doubt then it wouldn’t really be a conspiracy theory, would it? But, regardless of whether or not you believe the Roswell crash was a real event, no one can deny that the story of what supposedly happened around July 7th in Roswell has had an impact on countless people around the world.

As the story goes, a rancher named W.W. Brazel, who goes by the nickname “Mac”, found some debris scattered in a field. That happened in June of 1947. But his ranch didn’t have a phone or a radio, so he didn’t think much of it until he was driving to town on July 5th. There, he heard stories of flying disks being seen. For example, a pilot named Kenneth Arnold had seen what the press quickly referred to as flying saucers on June 24th, 1947. Just the day before “Mac” Brazel went into town, on July 4th, United Airlines Flight #105 also talked about seeing some flying disks.

Countless other copycat sightings started popping up fast as word spread about the flying disks.

So, hearing some of these stories, Brazel was reminded of the debris he saw in the field. So, a couple of days later, on July 7th, he took some of the debris into the sheriff’s office in Roswell. The sheriff called the Roswell Army Air Field nearby, and one of the officers, a man named Major Jesse Marcel, went out to the field with Brazel where he found the debris. Marcel didn’t take the debris right to the airfield. Instead, he simply took it home for the night and delivered it the next morning when he went to work.

The next day, on July 8th, the public information officer at Roswell Army Air Field released a statement that a “flying disk” had been recovered from a ranch near Roswell. It hit the papers and news reports soon after. The Roswell Daily Record newspaper ran a story on July 8th, 1947 with the headline: “RAAF Captures Flying Saucer On Ranch in Roswell Region.”

RAAF standing for Roswell Army Air Field.

Now, I’ll play a clip from a radio broadcast on July 8th, 1947 that talks about the flying disk at Roswell. But before I play it, just so you know there are some other new items mentioned as well. I thought about cutting that out, but I decided to leave it unedited so you can hear the report as it was broadcast.

So, here it is:

Note: This transcript is automatically generated.

On July 8, 1947, the Army Air Forces has announced that a flying disk has been found and is now in the possession of the Army. Army officers say the missile found sometime last week has been inspected at Roswell, New Mexico, and sent to right field, Ohio, for further inspection. Russia has demanded U.N. action to get all foreign military personnel out of Greece. Southern Cross collaborators have not yet reached agreement with John Lewis, but the rest of the soft coal industry has resumed production. The House of Representatives has passed the tax reduction bill by more than the two thirds, which would be required to override a veto. Headline of this new special report and set of views in a moment. The American Broadcasting Company had a period in session for that headline edition received a grant from all over the world forever. The day’s headlines were made headline figures and brings you accurate, timely reports on the news behind both headlines, plus informative and personal interviews with the men and women who made the headlines today. Today’s edition presents a roundup of the latest developments in the finding of a flying and eye witness report of the day’s significant actions at the UN Security Council. Ohio Congressman Thomas Duncan commenting on today’s House action on tax legislation. A special report on the status of so-called negotiations and the details of today’s All-Star Baseball game, reportedly because they ended up with history in the making. Stay tuned to headline Now is telegraphed late this afternoon, a bulletin from New Mexico suggested that the widely publicized mystery of the flying saucers may soon be solved. Army Air Force officers reported that one of the flames had been found and inspected sometime last week. Our correspondents in Los Angeles and Chicago have been in contact with Army officials endeavoring to obtain all possible late information. Joe Wilson reports to us now from Chicago that he may be getting to the bottom of all this talk about the so-called flying saucers. As a matter of fact, the 509th Atomic Bomb Group headquarters at Roswell, New Mexico. Reports that it has received one of the deaths which landed on a ranch outside Roswell. This landed at a ranch at Corona, New Mexico, and the rancher turned it over to the Air Force. Roger W w Rozelle was the man who discovered this office. William Blanford of the Roswell Air Base refuses to get details of what the plane this looked like in Fort Worth, Texas, where the object was first sent. Brigadier General Roger Ramey says that it is being shipped by air to the ADF Research Center at Wright Field, Ohio, moments ago. I talked to officials at Right Field and they declared that they expect the so-called flame supper to be delivered there, but that it hasn’t arrived as yet. In the meantime, General Ramey describes the object as being a flimsy construction, almost like a bus. So he says that it was so bad, but he was unable to determine whether it had a disc form, and it does not indicate its size. Rainey says that so far as can be determined, no one saw the object in the air, and he described it as being made of some sort of tin foil. Other Army officials say that further information indicates that the object had a diameter of about 20 to 25 feet and that nothing in the operation section indicated any capacity for speed and that there was no evidence of a power plant. This also appeared to flimsy the carrier man. Now back to photograph in New York. There was important activity within the U.N. Security Council today.

The next day, the Army said it wasn’t a flying disk at all. As the story goes, Major Marcel reported to the commanding officer at RAAF, Colonel William Blanchard. Colonel Blanchard, in turn, reported to General Roger Ramey at the Fort Worth Army Air Field in Texas. General Ramey ordered them to fly the debris to him, so Major Marcel did that. As soon as Marcel arrived, he showed the debris to General Ramey who recognized it as pieces of a high-altitude weather balloon.

So, the story of the flying disk was retracted and, for the most part, forgotten. That changed in the 1970s when Major Marcel was interviewed by a man named Stanton Friedman. In that interview, Marcel said the story of the weather balloon was a cover-up and the debris he saw was extraterrestrial. In 1991, a retired USAF General named Thomas DuBose who was one of the men posing for press photographs of the debris in 1947 also said Marcel was correct in saying the weather balloon story was a cover-up.

And so, the story has been talked about ever since.

If you want to watch the way story is shown on screen, check out the History Channel’s TV series called Project Blue Book. Because of the timeline of the series, it doesn’t really show the event itself but the first two episodes of the second season are dedicated to it. And if you want to go deeper down the rabbit hole, so to speak, I’ve covered Project Blue Book multiple times from different angles, and you can find them all at basedonatruestorypodcast.com/projectbluebook.

 

Let’s move onto our next segment now, where we learn about historical figures from the movies that were born this week in history…and we had five events in this week’s supersize episode, so why not have five historical birthdays, too?

On July 1st, 1899, Henry Walton Jones, Jr. was born in Princeton, New Jersey. He’s best known by his nickname: Indiana Jones. Haha! Okay, so he’s obviously not a historical figure…but if you’re interested in historical movies, I’m sure you know who he is so I couldn’t help but include him. Do you have a favorite Indiana Jones movie? It’s Last Crusade for me, but I was surprisingly impressed with the latest movie that just came out last year—Dial of Destiny. Did you see that one yet? Hop into the Based on a True Story Discord and let’s chat about it!

Also on July 1st, but in 1921, Seretse Khama was born in Serowe, Botswana. He was a politician who served as the first president of Botswana and the story of his controversial marriage was told in the 2016 film A United Kingdom where Seretse was played by David Oyelowo. We covered that movie back on episode #238 of Based on a True Story.

On July 5th, 1810, Phineas Taylor Barnum was born in Bethel, Connecticut. He’s best known by his initials, P.T. Barnum, and as the man who founded the Barnum & Bailey Circus with James Anthony Bailey. Barnum was played by Hugh Jackman in the 2017 movie The Greatest Showman and we covered the true story behind that back on episode #123.

Oh, and as a fun little side note, even though Bailey from Barnum & Bailey never made it into The Greatest Showman movie, the real James Anthony Bailey was also born this week in history, on July 4th, 1847, in Detroit Michigan.

On July 6th, 1747, John Paul Jones was born in Scotland. Even though he wasn’t born in America, he emigrated to America and became probably the most well-known naval commander for the United States in the American Revolutionary War. John Paul Jones became famous throughout history for the quote, “I have not yet begun to fight!” when he was asked about surrendering. Although, there’s plenty of debate about whether or not he really said that exact line. But, he was played by Robert Stack in a 1959 biographical film simply called John Paul Jones. And yes, that Robert Stack—the same guy who hosted the popular TV show Unsolved Mysteries.

On July 7th, 1906, Leroy Robert Paige was born in Mobile, Alabama. He’s best known by his nickname, “Satchel.” Satchel Paige was a Hall of Fame baseball player whose career spanned 50 years. He debuted in Major League Baseball with the Cleveland Indians in 1948 at the age of 42. To this day, that is the oldest debut for any player in Major League Baseball. He played in the Majors until he was 59, another record that stands to this day. His story was told in the biopic from 1981 called Don’t Look Back: The Story of Leroy ‘Satchel’ Paige with Louis Gossett Jr. playing the lead role of Satchel Paige.

 

Onto our segment about ‘based on a true story’ movies, since we’re doing a supersize episode this week, I’ve got a couple movies: One that was released in the past, and one that is being released this week!

Let’s start by going back to 15 years ago this week when Public Enemies was released on July 1st, 2009.

Directed by Michael Mann, Public Enemies stars Johnny Depp and Christian Bale. The storyline revolves around Depp’s character, John Dillinger, who really was a notorious bank robber in the 1930s who many have compared to a Robin Hood-type character. On the other side, though, is Melvin Purvis, an FBI agent played by Christian Bale who is leading the hunt to track down Dillinger.

According to the movie, the FBI is relatively new, so a lot of the storyline around the hunt for Dillinger shows things we might consider normal today, but at the time were state-of-the-art techniques such as fingerprinting and tapping telephone lines.

The movie was right about that, although as you might expect there’s more to the true story.

Let’s start with Dillinger’s reputation as a bank robber in the 1930s.

To be more specific, the Dillinger’s crime spree was less than a year between September 1933 and July 1934. In that time, they killed 10 people, wounded seven others, organized three jail breaks, and robbed at least a dozen different banks in that time. Some have thought perhaps as many as 24 banks, but we know of 12 for sure. And it’s said that Dillinger got away with about $11 million that he hid…and maybe it’s still out there waiting for a treasure hunter to find it. Check out the TV show Expedition Unknown, season 9, episode 1 for more about the search for Dillinger’s treasure.

For today’s movie, though, Public Enemies was correct to have an FBI agent named Melvin Purvis in charge of taking down John Dillinger and his gang. Purvis had been a field agent at FBI offices in Birmingham, Oklahoma City, and Cincinnati, before being assigned to the Chicago office and tasked with leading the takedown of Dillinger.

Although the movie mostly shows Purvis taking the lead, another FBI agent named Samuel Cowley was also assigned to leading the takedown of Dillinger. In the movie, Cowley is played by Richard Short and has a smaller role than he did in the true story.

According to the FBI’s official documentation on the case, the way it worked was Agent Cowley was sent from Washington by J. Edgar Hoover himself to head up the investigation against Dillinger. He was sent to where Dillinger’s crimes were being committed, around the Chicago area. Agent Purvis was in charge of the Chicago office, so that’s how Cowley and Purvis started working together to take down Dillinger.

Oh, and while some have romanticized Dillinger as a form of Robin Hood-type character, in the true story that’s simply not the case. In the movie we’re talking about today, Dillinger never gave of the money he stole away…and that is true.

I’ll include a link in the show notes to a list of 10 myths about Dillinger on the FBI’s website, and #10 directly addresses the idea of Dillinger being a Robin Hood-type character.

Here’s what they had to say:

Dillinger certainly had charm and charisma, but he was no champion of the poor or harmless thief—he was a hardened and vicious criminal. Dillinger stormed police stations in search of weapons and bulletproof vests. He robbed banks and stole cars. He shot at police officers (and may have killed one) and regularly used innocent bystanders as human shields to escape the law. Worse yet, he stood by as his ruthless gang members shot and killed people, including law enforcement officials. And what of his ill-gotten gains? They were used to line his own pockets and those of his partners in crime, not those of impoverished Americans in the midst of the Great Depression.

Speaking of being a bank robber, if we go back to the movie, we see Dillinger along with a couple other gangsters named Tommy Carroll and “Baby Face” Nelson rob a bank in Sioux Falls, South Dakota. When they plan the robbery, they anticipate coming away with $800,000.

If we’re to believe the movie’s version of history, during the robbery, both Dillinger and Carroll are shot. Carroll is left behind and arrested while Dillinger manages to escape, but quickly finds out they only got about $46,000—not nearly what they were expected.

And that really did happen, although I found some conflicting sources on whether or not Dillinger’s gang expected to get away with $800,000.

But there’s a lot of details we don’t see in the movie, too, here’s what we do know about that particular bank robbery.

On the corner of Ninth and Main in Sioux Falls, South Dakota, sat the Security National Bank. At about 10:00 AM on the morning of Tuesday, March 6th, 1934, a green Packard car pulled up to the bank. There were six men in the car.

When they got to the bank, four of the men got out and went inside. Two others stayed with the car. Inside the bank, one of the men issued an order saying, “This is a holdup; lie down.” The 30 or so people in the bank did as they were told, although someone managed to hit the alarm first. In 1934, Sioux Falls had about 26,000 residents, so it didn’t take long for word to spread of a bank robbery in progress.

As a crowd gathered outside, the two guys with the car periodically shot their Thompson machine guns into the air to keep the crowd away. Of course, it no doubt also drew attention for those who hadn’t yet heard about the robbery. One of those people happened to be an off-duty cop by the name of Keith Hale. When he came to investigate the sound of gunshots, one of the robbers inside saw him and opened fire through the front window, injuring Hale.

The robbers exited the bank, forcing everyone from inside the bank outside with them to help give them cover as they got into the car. Then, to protect themselves from the police shooting at them, the robbers forced five bank employees to ride along with them on the car’s running boards as they made their escape. They released the hostages before leaving town.

While this wasn’t the only bank robbery for the Dillinger gang, it was one that really drew the attention of law enforcement because Dillinger himself had escaped from jail just three days beforehand—on March 3rd—so it was a busy week for Dillinger that really pressed on law enforcement to bring him in.

Back in the movie’s timeline, the storyline comes to an end as Dillinger is shot by Purvis and other FBI agents in an ambush, they set up for him at a brothel. One of the agents named Charles Winstead manages to hear Dillinger’s last words. Winstead is played by Stephen Lang in the movie. He goes to visit Dillinger’s love interest in the movie, Marion Cotillard’s character, a woman named Billie Frechette. She’s in prison when Dillinger is shot, and she’s moved to tears when Winstead tells her Dillinger’s last words were: “Tell Billie for me, ‘Bye, bye, Blackbird.’”

Were those really John Dillinger’s final words? To be honest, we don’t know.

Officially, no, Dillinger had no last words as far as any official reports go. That doesn’t mean there aren’t plenty of theories around what his final words might’ve been.

What is true, though, is the character of Billie Frechette being Dillinger’s girlfriend. She was arrested by the FBI in April of 1934 when she visited a friend in Chicago. She was charged with harboring a fugitive.

So, it is true that she was locked up near the end of the story.

The hunt for Dillinger continued, though, and it was a lot like the movie shows, an ambush at the end. In the movie, the woman who helps law enforcement is named Anna Sage. She’s played by Branka Katic in the movie. In the true story, Anna Sage’s real name was Ana Cumpanas—although she called herself Anna Sage, probably because it’s easier to pronounce for Americans like me.

The real Ana came from Romania and was in the process of being deported thanks in no small part to her job at the brothel. She met with Agents Cowley and Purvis, who promised to put in a good word for her with the government agency in charge of the deportation—the Department of Labor at that time.

So, she agreed to help. She told the agents one of her friends, a woman named Polly Hamilton, was going to see a movie with Dillinger the next evening. The next day, she confirmed the plans with agents and the ambush was a “go” for that evening: Sunday, July 22nd, 1934.

At about 8:30 PM, Anna Sage, Polly Hamilton, and John Dillinger showed up at the Biograph Theater on Lincoln Avenue in Chicago. After the movie, which was a Clark Gable film called “Manhattan Melodrama,” Dillinger and the two women emerged from the theater. Here is the official FBI explanation of what happened next:

At 10:30 p.m., Dillinger, with his two female companions on either side, walked out of the theater and turned to his left. As they walked past the doorway in which Purvis was standing, Purvis lit a cigar as a signal for the other men to close in.

Dillinger quickly realized what was happening and acted by instinct. He grabbed a pistol from his right trouser pocket as he ran toward the alley.

Five shots were fired from the guns of three FBI agents. Three of the shots hit Dillinger, and he fell face down on the pavement.

At 10:50 p.m. on July 22, 1934, John Dillinger was pronounced dead in a little room in the Alexian Brothers Hospital.

The agents who fired at Dillinger were Charles B. Winstead, Clarence O. Hurt, and Herman E. Hollis. Each man was commended by J. Edgar Hoover for fearlessness and courageous action. None of them ever said who actually killed Dillinger.

If you want to watch the movie released this week in history, you’ll find a link in the show notes for where to find 2009’s Public Enemies on streaming services.

Oh! And that reminds me, as a quick bit of trivia for you, the FBI labeled John Dillinger as “Public Enemy #1” in 1934, so a lot of people think that means Dillinger was #1 on the FBI’s Ten Most Wanted list, but that’s not true…John Dillinger was never on the FBI’s Ten Most Wanted because that list didn’t even exist until 1950. Although I guess if we’re being technical, the FBI itself didn’t exist in 1934…that name came about in 1935, so during the time of John Dillinger it was simply the Bureau of Investigation or BOI.

With that said, though, if the FBI’s Ten Most Wanted existed back in when Dillinger was alive, he probably would’ve been on it.

So, that’s Public Enemies.

 

Now, let’s fast forward to this week, because there’s another “based on a true story” movie coming out. It’s called Boneyard, and it’s directed by Asif Akbar, starring Mel Gibson and Curtis Jackson—better known as 50 Cent. If you haven’t heard of it, that’s not too surprising, it looks to be a low budget film and according to my research, it looks like it’ll be releasing in select theaters and straight to video on demand on July 2nd.

But as it is a new movie, I haven’t seen it yet—and I’m guessing you haven’t seen it yet. So, let’s learn a little more about the true story so you can be the one who knows how much of the movie really happened if you see it this week.

The one-sentence synopsis of Boneyard they have listed on IMDb says it is, “Inspired by the true events of a serial killer that may still be out there today.”

The movie is a true crime story that starts when they discover the remains of 11 women and girls in the New Mexico desert. Enter Mel Gibson’s character, an FBI agent named Agent Petrovick, and 50 Cent’s character, the Chief of Police in Albuquerque, New Mexico, who team up to try and identify the killer. Before long, they start to realize it’s likely the work of a single person: A serial killer.

So, what’s the true story?

The movie is based on what’s become known as the West Mesa Murders. And the movie’s IMDb synopsis is correct to say the serial killer might still be out there—as of this recording, the West Mesa Murders are still unsolved.

West Mesa is the name of the mesa—that’s the raised landmass to the west of Albuquerque, New Mexico.

Well, that’s where the true story starts back on February 2nd, 2009, when a woman named Christine Ross was taking her dog for a walk. On that walk, her dog found a bone. As you might imagine, she was surprised by that. She thought maybe it was a human bone, but maybe not…she wasn’t sure. So, she took a photo of it and sent it to her sister, an RN, who confirmed it was a human bone.

The police were called, and in the weeks that followed, they unearthed bones from 11 women and girls, one of whom was pregnant. Their ages ranged from 15 to 32 years old. They were able to determine the identity of the women and found most of them were sex workers or runaways.

Sadly, when they disappeared, they weren’t reported missing.

Piecing together information from interviewing hundreds of people who knew or at least knew of the victims, police were able to piece together a rough timeline between 2001 and 2005 as when the murders took place. The bodies were likely dumped in the West Mesa area because it was a remote area.

And it took years for them to be found, putting law enforcement way behind on unraveling the case. But that doesn’t mean there were no suspects. In fact, there were a number of suspects over the years. From pimps who knew some of the murdered women, to men with a history of violence against women, but there are probably two top suspects…and those two start with a guy named Lorenzo Montoya. He had a history of violence against sex workers, as well as his girlfriend. Some people also pointed out that he lived just a few miles from where the bodies were found; and his co-workers even said Montoya claimed to have killed women and buried them on the West Mesa.

Remember when I mentioned the police determined the timeline was between 2001 and 2005? Well, some have suggested perhaps they stopped because Lorenzo Montoya was killed in 2006. He didn’t die of natural causes, either. He had just finished strangling a sex worker to death when her boyfriend showed up and shot and killed Montoya.

Or maybe the guy who shot Montoya was her pimp. Or maybe he was both; the sources I found vary on his relation to her.

Would she have ended up on the West Mesa? We might not ever know.

The other top suspect came more recently, about ten years ago, in 2014, when another suspect named Joseph Blea came to the police’s attention…and before I go further, let me give a trigger warning for rape and sexual assault, skip ahead 30 seconds if you want to skip past that.

Blea was a rapist who targeted teenage girls in the 1980s and ‘90s, known for stealing their underwear. He wasn’t a suspect, though, until 2010 when a rape test kit was re-tested, DNA pointed to Blea, and although he lived with his wife and daughter, the police found underwear and jewelry not belonging to either of them in the house. The police thought perhaps they were trinkets from victims.

And then while Blea was in prison, it’s alleged that he admitted a connection to the West Mesa murder victims, saying he’d hired them for sex. Finally, police suspected Blea of killing another sex worker in 2015. When they had enough evidence against him, Blea was arrested and in June of 2015 he was sentenced in the ‘80s and ‘90s rape cases and sentenced to 36 years. Assuming Blea is still alive in 2051 when that sentence ends, he’ll be 94 years old.

Neither Blea nor Montoya were charged with anything related to the West Mesa Murders. As of this recording, officially, they’re still unsolved.

But, if you want to watch the movie version of this true crime investigation, hop in the show notes for a link to where you can find Boneyard!

And if you do give it a watch, chances are you’ll watch it before me, so let me know what you think of it and maybe give me your own historical letter grade for how well it told the true story!

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211: The X-Files with Rob Kristoffersen https://www.basedonatruestorypodcast.com/211-the-x-files-with-rob-kristoffersen/ https://www.basedonatruestorypodcast.com/211-the-x-files-with-rob-kristoffersen/#respond Mon, 26 Sep 2022 10:25:00 +0000 https://www.basedonatruestorypodcast.com/?p=7638 The classic TV series The X-Files is fiction, but there are some true stories and UFO cases that inspired episodes of the series. To help us learn more about them, we’ll chat with UFO researcher and host of Our Strange Skies, Rob Kristoffersen. Listen to Our Strange Skies Raechel’s Eyes episode Rob mentions Did you […]

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The classic TV series The X-Files is fiction, but there are some true stories and UFO cases that inspired episodes of the series. To help us learn more about them, we’ll chat with UFO researcher and host of Our Strange Skies, Rob Kristoffersen.

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Transcript

Note: This transcript is automatically generated. There will be mistakes, so please don’t use them for quotes. It is provided for reference use to find things better in the audio.

00:02:26:24 – 00:02:57:24
Dan LeFebvre
We’ll get into some of the specifics of The X-Files and UFO’s here in a bit. But before we do that, just take a step back. Look at The X-Files overall. How do you think it’s impacted the general public’s knowledge about the UFO phenomena?

00:02:58:15 – 00:03:45:06
Rob Kristoffersen
I think what it’s done and what it’s done really well is take in the UFO paranoia that was really prevalent in the 1980s and kind of projected it into a wider audience. So when we roll into the eighties, when you take a look back at eighties ufology, it is it’s not looked at as a high watermark for UFO study in general because, you know, later in the decade it was revealed that there were elements of disinformation introduced into the community through a guy named Richard Doty, who was the primary kind of like the antagonist of eighties ufology.

00:03:45:07 – 00:04:11:26
Rob Kristoffersen
He was a member of the Air Force office of Special Investigations, and he said he had been given this kind of special assignment to there was a guy named Paul Benowitz who lived like right across the street from Kirtland Air Force Base. And he had he had had this interest in UFOs. He was big into cattle mutilations and that kind of stuff.

00:04:11:26 – 00:04:35:12
Rob Kristoffersen
And he started noticing these lights over Kirtland Air Force Base, and he believed that it was aliens and that there were alien battles happening on Kirtland Air Force Base. So Richard Doty is given this assignment that they’re not going to tell him. No, that’s not what’s going on. They’re going to kind of fuel the paranoia for him and make him seem like, yes, there is an alien battle going on here.

00:04:35:21 – 00:05:06:00
Rob Kristoffersen
But what they’re ultimate goal was, is to draw his attention away from Kirtland because they did have some secret technology that they were testing. So they shift his focus to Dale, say, base, it’s in New Mexico. It’s kind of taken on this this law of being a place where an underground alien base is because they literally dress that place up to make it seem like there’s an underground alien base out there.

00:05:06:10 – 00:05:31:07
Rob Kristoffersen
So Richard Doty kind of gets he gets on Paul Benowitz here and he kind of shifts things around. But what he also does is he hooks up with a guy of UFO researcher named Bill Moore, and they agree to kind of introduce a lot of disinformation into the UFO community in exchange, he was going to give Bill more actual real information.

00:05:31:29 – 00:06:00:27
Rob Kristoffersen
And in 1989 at the Soufan Symposium is in Las Vegas, he comes out and he gives this I think it was like an hour long thing this hour long presentation about how the role that he played in all of this and what Richard Doty did and all of that. And it kind of casts this shadow on the UFO topic for those that were studying in the community.

00:06:00:27 – 00:06:26:02
Rob Kristoffersen
Bill Moore, he never researched it ever again. He was kind of a laughingstock after that. So when we look at Eighties Ufology on top of that, the eighties is when Roswell comes into prominence, it starts to gather this big reputation. And then it culminates in 1989 when there is an episode of Unsolved Mysteries, a segment dedicated to Roswell.

00:06:26:02 – 00:07:00:09
Rob Kristoffersen
And it becomes so popular that a few months later, I think they aired it in like November of 89. A few months later, in January 1990, they re-air it and it has more viewers. So we have that. We have alien abductions becoming very more prominent, especially around 1987. You start to see them appear more in pop culture. So in reality, you know, X-Files is based on all of these things.

00:07:00:09 – 00:07:30:21
Rob Kristoffersen
And what it did really well is just kind of push that narrative out into a wider public to the point where like it did affect a lot of people that were really interested in the subject. And it kind of became the de facto face of what, UFO research and UFOs, you know, what the interest in the topic actually looked like to the point where, you know, people are talking like alien abductions became a mainstream thing.

00:07:30:28 – 00:07:56:13
Rob Kristoffersen
And before that, alien abductions had kind of been a thing from like the mid-sixties up until that time in the eighties when it just like really gets out there. So The X-Files did a great job of really amplifying the most paranoid aspects and kind of the worst aspects of the UFO topic.

00:07:57:27 – 00:08:07:19
Dan LeFebvre
So kind of picking, pulling different pieces from other other places and creating a narrative around that. Yes, if I understand what you’re saying.

00:08:07:20 – 00:08:08:10
Rob Kristoffersen
Absolutely.

00:08:08:10 – 00:08:10:14
Dan LeFebvre
Basically, it’s kind of what they did a good job of doing.

00:08:10:27 – 00:08:34:21
Rob Kristoffersen
Yeah, absolutely. And I mean, there are there are two definite things that I that I didn’t mention, like Bob Laser. Bob Laser was, again, 1989. It seems to be this year, this culminating year of all this paranoid stuff. His story starts to come out. That’s when the Area 51 stuff starts to come to prominence. So it definitely amplified those paranoid aspects of it.

00:08:35:11 – 00:09:02:09
Dan LeFebvre
In the I want to as in the second episode of the first season, we introduced the character of Deep Throat in the X-Files, and we get the idea of there’s a cover up, even within the government itself. Mulder and Scully, they’re FBI agents, but they’re not getting access to everything themselves. And so at least when we’re watching the show, we kind of get the sense that we’re on their side, even though they’re still part of the government, they’re not getting the whole information.

00:09:02:09 – 00:09:21:03
Dan LeFebvre
So they have difficulty finding the truth in their investigations. It kind of makes me think of some of the government’s real investigations I know I’ve talked to you about before and in the past, your project side, project, Grudge Project, Blue Book. Do we know if those government investigations into UFOs had the same sort of challenges that we see?

00:09:21:03 – 00:09:27:02
Dan LeFebvre
Mulder and Scully encountering in the show, where they even have trouble finding the truth themselves, even though they are FBI agents?

00:09:28:06 – 00:10:17:12
Rob Kristoffersen
Back in the fifties, right at the start of Project Blue Book in 1952, it’s at the start. It’s slated to be this really objective study of UFOs, the UFO phenomenon, and the people that were running it up a Edward Rubel, who was the head of the project, Dr. Jail and Hynek, was brought in by Edward Rubel because he had worked on Project Sign and he had actually criticized him for some of the determinations that he came to when it when in certain cases where he was saying, oh, well, the determination was that this witness was seeing Venus and stuff like that.

00:10:17:12 – 00:10:53:29
Rob Kristoffersen
And so he brings men and it’s set to be this objective study. And then in July that year, two consecutive weekends, there are these two big sighting events in Washington, D.C. and they’re talking about, you know, objects appearing over the Capitol and being chased by jets. When, you know, jets are scrambled, they can’t keep up with them. And it’s like following that incident that Project Blue Book comes under scrutiny.

00:10:54:22 – 00:11:20:03
Rob Kristoffersen
Not only that, you know, in pop culture, you have Life magazine printing articles speculating about, you know, alien life and stuff like that. And in these incidents, just like had such a the government and specifically the CIA took a look at that, said, we’re going to come in, we’re going to do we’re going to we have a panel.

00:11:20:03 – 00:11:39:16
Rob Kristoffersen
We’re going to take a look at the UFO cases. And then essentially what they ultimately decide is that, well, your objective needs to change. And I always found that interesting. I was like, why is the CIA coming in to tell the Air Force what to do? Like, it doesn’t make sense, but that’s essentially what the Robertson panel was in 1953.

00:11:39:16 – 00:12:05:08
Rob Kristoffersen
There’s a panel of a few guys that came in. They looked at all I don’t know if they looked at every single case that they had amassed up until that point, but they looked at new cases that had come in. There was some even video footage that come through the project, Blue Book Desk, and they looked at that and said, Well, you’re going to have to change the scope of your project.

00:12:05:08 – 00:12:41:27
Rob Kristoffersen
You’re going to have to dismiss a lot of these cases because we’re in the middle of the Cold War. We don’t want a public that is untrusting or is, you know, paranoid of, you know, what’s going on out in the world. So the CIA comes in, says you’re going to have to change the nature of your project. So from 1952, up until I would say largely 1965, that’s when they just kind of downplay everything.

00:12:42:07 – 00:13:11:14
Rob Kristoffersen
And you don’t have a lot of major cases from that time period. The only major case that would come out is the case of Lonnie Zamora of the Socorro New Mexico Police officer who had seen a UFO, landed in an arroyo in New Mexico and had gotten close to the thing. He was a trustworthy witness, and that that’s kind of seemed to be a turning point.

00:13:11:14 – 00:13:53:18
Rob Kristoffersen
And then in 1965, a lot of people, including the press, kind of started to turn their back on the government and their determinations on things. What’s interesting about 1952 is that when you look at the total number of cases that Project Blue Book did or analyzed and investigated and stuff, there are only 701 cases that were labeled as unidentified in 1952 that that year had the most amount of unidentified cases ever, 303, which is an ungodly number.

00:13:53:27 – 00:14:15:29
Rob Kristoffersen
When you look at every other year. That Project Blue Book was in operation. There were 303 reports of unidentified objects that they could not come up with an explanation to. So it’s really not surprising when, you know, somebody steps in and says, you’re going to have to change this. This is a lot. There shouldn’t be that much happening in our skies.

00:14:15:29 – 00:14:54:00
Rob Kristoffersen
So, yeah, there there has definitely been, you know, cases where that has happened. But yeah, like and I think what’s interesting there too is that the, I think the main impetus for why the CIA came in was that Edward Rubio was brought in front of President Eisenhower. And Eisenhower wanted to know what was going on, and he had no clue because he had just this was like maybe days, maybe a day or two after these sightings that occurred in 52.

00:14:54:00 – 00:15:20:08
Rob Kristoffersen
And he didn’t have time to investigate it. So, you know, he’s brought in front of the president. President wants to know what the heck is going on and he he didn’t have an answer for him. So it kind of became this, you know, thing where they wanted to lock things down. And yeah, so there is definitely and you also do see that kind of in a little bit.

00:15:20:08 – 00:15:32:09
Rob Kristoffersen
And you know, Paul Benowitz again and stuff, but like the government influencing civilians even in that case. So yeah, there are definitely cases in which that did happen.

00:15:33:09 – 00:15:57:20
Dan LeFebvre
Hmm. Something that was what, rewatching The X-Files. It’s something I kind of get the sense that a lot of people refer to the government as, you know, this this single organization that’s orchestrating some of these cover ups. It’s kind of, you know, the government versus the public, which was kind of which is interesting that, you know, I got the impression I was watching The X-Files, even though, as I just mentioned, you know, obviously, Mulder and Scully are they’re part of the government.

00:15:57:29 – 00:16:07:13
Dan LeFebvre
So it it the show does a really good job of of having this this contrast there. Do you think that’s still the case where it’s kind of the government versus the people for these cover ups?

00:16:07:26 – 00:16:43:19
Rob Kristoffersen
Yeah. Oh, yeah. Even to this day, movements around disclosure are literally people yelling on the Internet at the government, telling them to release everything that they have, tell us everything that they know about, you know, UFOs, aliens, all this kind of stuff. And it’s kind of funny because, like, they probably don’t really have anything. Like, if they do, they’ve released it all to a certain extent, you know, and there are people that say, well, you know, not every single project, blue Book File has been released and and stuff like that.

00:16:43:19 – 00:16:58:09
Rob Kristoffersen
But yeah, this not a lot has changed since The X-Files has come out. It is literally people claiming that the government is just hiding everything. So disclosure now and people are still saying disclosure as if they.

00:16:58:11 – 00:17:03:07
Dan LeFebvre
Know that they’re not happy with the answer. They’re getting. So obviously there must be they must be hiding it. Yeah.

00:17:03:26 – 00:17:30:08
Rob Kristoffersen
Yeah, exactly. And and like now is interesting because there are like many of the branches in the military and stuff, they are like investigating UFOs. They’ve come out and said, we’ve got our own, you know, task forces that look into this stuff. So it’s only fuel to the fire. But yeah, it’s still disclosure all day long. Yeah.

00:17:30:08 – 00:17:49:15
Dan LeFebvre
Going back to The X-Files in a still in season one and episode ten, we get an indication for how the government might respond to a UFO crash in the show. It happens just outside towns in Wisconsin. It is a real town. And then Mulder finds out there’s this incident. Deep Throat tells him something about Operation Falcon. It’s gone into effect.

00:17:49:22 – 00:18:08:05
Dan LeFebvre
He says within 24 hours, the entire area is going to be sanitized. It’ll be like nothing ever happened. Later in the episode, Mulder and Scully talk to the widow of a local deputy who died at the scene, and she said she can’t afford to tell the truth because they told her if she says anything, then they’d withhold her deceased husband’s pension.

00:18:08:05 – 00:18:20:07
Dan LeFebvre
So they’re basically making her not say anything. Based on the reports that you’ve come across in your research, how realistic do you think The X-Files was and how it depicted a government response to a crashed UFO?

00:18:20:29 – 00:18:51:29
Rob Kristoffersen
There are a lot of interesting things that you read from people who say, I was on a team that went out and retrieved, you know, downed UFOs and stuff like that. There was a guy named Clifford Stone. And what was interesting about Clifford Stone is if you ever watched him talk, he would get very emotional about the the the retrievals that he went on and like because he would talk about like interacting with aliens and feeling their emotions and stuff like that.

00:18:52:07 – 00:19:40:09
Rob Kristoffersen
Very emotional, man. But there are there are a lot of similar these to certain crash retrieval cases, as they call them. Roswell comes to mind in a lot of cases because a lot of witnesses to Roswell that came forward in the eighties, nineties, up until now, they often talked about how the government would silence them and such. And you see a lot of that kind of stuff where people visit the areas today, they find them like really, you know, combed over and the like areas that are raked and stuff like that.

00:19:40:09 – 00:20:18:15
Rob Kristoffersen
One of the best examples of this is an incident called the Iceberg Incident that occurred in Rexburg, Pennsylvania, in 1965, in December. And what’s interesting about this case is that there were numerous eyewitnesses from Canada, Michigan, Ohio and a few other states in the area that saw this streaking object in the sky like before 5 p.m.. And what was interesting is that there was a group of people that saw this object make like a specific right hand turn.

00:20:18:28 – 00:20:49:11
Rob Kristoffersen
And in the town of Casper, this object comes out of the sky, crashes into the woods. People are believing it’s a meteor or something like that. But the local fire department, local police department, a lot of citizens respond to the area. They, you know, because it actually spread out on the radio really quickly that, oh, there was something that crashed in the woods and the fire and police department get there.

00:20:49:25 – 00:21:10:11
Rob Kristoffersen
They actually get into the woods and actually see what this object is. And they describe it as an ACORN shaped object. And one eyewitness, a guy named Jim Romanski, said that on the bottom of this object, there was this band. And on this band there was this like kind of weird writing that he related to Egyptian, Egyptian hieroglyphs.

00:21:10:25 – 00:21:40:10
Rob Kristoffersen
And before long, the military comes in, they cordon areas off. Everybody is not allowed within that area. They confiscate, I think, one reporter’s camera and such, and they hush everything up and like nobody really talks about this incident for probably 30 years or so, 20, 30 years. It was actually featured on Unsolved Mysteries in, I think the early nineties.

00:21:40:27 – 00:22:13:09
Rob Kristoffersen
But there are very there are a lot of similarities in the cases that you read of, you know, military coming in, make it in as quick a job as they can of it, just removing any trace from the area that anything could happen and silencing witnesses. So yeah, there there are quite a few cases like that. One of the most recent was actually in 2008 in California, and it was a place called Needles, California.

00:22:13:09 – 00:22:44:00
Rob Kristoffersen
And a bunch of people had witnessed a UFO crash into this riverbank. And there were a bunch of eyewitnesses, including a a guy in a boat that claimed that the government came in. They lifted this object off the riverbank, put it on like a flatbed truck, and transported it out of there. So, yeah, there’s there’s definitely a lot of similarities here with what you see in that particular episode of The X-Files.

00:22:45:01 – 00:23:13:00
Dan LeFebvre
You were talking earlier about disclosure, and as I was rewatching The X-Files for our chat, the final episode of Season one kind of left me with a question. In that episode, Mulder and Scully seem closer than ever to uncovering the evidence that they need to prove everything they’ve investigated so far. Again, it’s the season finale of the first season, and it’s a common theme that we see throughout the entire series, though it always seems like they get evidence, but none of it can really prove anything.

00:23:13:00 – 00:23:33:06
Dan LeFebvre
They’re always on the cusp of being able to reveal the truth for the whole world to see. But the truth is out there, right? They still can’t actually prove anything. It may. We want to ask about the that impact on the whole notion of disclosure, like you were talking about before, that being some sort of a magic pill that once for all is going to reveal the truth for everybody.

00:23:33:12 – 00:23:42:23
Dan LeFebvre
Do you think The X-Files played a part in this idea of government disclosure being the one size fits all answer to UFO phenomena?

00:23:43:15 – 00:24:12:20
Rob Kristoffersen
I think so, absolutely. Like before The X-Files and kind of you started to see in the UFO community this kind of shift between from, you know, yeah, there is a government cover up, but it just seems to be for the public’s benefit to, you know, just kind of cut down on the paranoia of everything and it starts to shift in the late seventies and into the eighties.

00:24:13:16 – 00:24:48:11
Rob Kristoffersen
In the eighties, there was a group of documents. This was all connected to Richard Doty and Bill Moore called the Majestic 12 documents. NIE’s were a series of memos that was that established a group within the government that was supposed to be responsible for kind of covering up UFO, those retrieving UFOs and stuff like that. And it’s kind of it’s pretty much been disproven at this point.

00:24:48:11 – 00:25:04:06
Rob Kristoffersen
Like there is no real evidence. Like if you go on the FBI’s website and you search for MJ 12, it has these great pictures of all of these memos and it has the words bogus written all over them. It’s great. It’s fantastic.

00:25:04:06 – 00:25:09:07
Dan LeFebvre
But but that’s exactly what you would expect, right? Of course, they’re never going to tell you, right?

00:25:09:15 – 00:25:39:27
Rob Kristoffersen
Yeah, exactly. Like these folks aren’t going to tell you anything. But yeah, it’s they a lot of people do see disclosure as this like magic pill that is going to solve this UFO mystery once and for all. And like, I really don’t understand, like, what people think that they have in the government. And again, it comes back to all of these stories that just kind of started to come to the forefront.

00:25:39:27 – 00:25:51:27
Rob Kristoffersen
You know, Bob Lazar saying that he worked on a UFO that had been reverse engineered from a crashed UFO. He even called it the sport model. You know, and a lot of the.

00:25:52:25 – 00:25:54:07
Dan LeFebvre
So the two door or the four door version.

00:25:54:28 – 00:26:15:23
Rob Kristoffersen
Apparently was the two door version. It was a little smaller, but, you know, that’s okay. But yeah, this like this like magic pill and like everybody has kind of built on to it. So like, what’s interesting is like you can look at a lot of the stuff that came out in the eighties. You could see how people have built upon it.

00:26:15:23 – 00:26:40:12
Rob Kristoffersen
So, you know, Roswell, there have been so many eyewitnesses that have come forward and say, oh, yeah, my parents, you know, were well aware of the event or, you know, my my dad, you know, did this or that and like it’s like this, like big, huge ball of clay. And it’s not you can’t really make out exactly what it is, but people keep adding to it.

00:26:40:12 – 00:27:11:05
Rob Kristoffersen
And it’s like, unless you can produce the bodies, which is what people are hoping that the government has, you’re never going to get like anywhere when it comes to validity of these incidences. But like the UFO phenomenon in and of itself is built upon eyewitness testimony and kind of little bits of evidence that turn up and, you know, landing trace cases, whether that be, you know, like vegetation or, you know, other effects that it could have in the area.

00:27:11:05 – 00:27:39:25
Rob Kristoffersen
There isn’t a lot of evidence for UFOs out there because they they don’t often leave evidence. So in the end, you’re left with these anecdotal stories that people will kind of, you know, bring out. And like you can you could read all these stories in many UFO journals and stuff. You can read stories about encounters with strange humanoid aliens.

00:27:40:14 – 00:28:07:13
Rob Kristoffersen
There’s plenty of them out there. But yeah, just this the magic pill that that is disclosure. The X-Files did a great job of really hammering that point home. And and I think, like, when you look at these episodes, like when you look at like this image of Mulder out on Area 51, like on the base and there’s a UFO hovering over him.

00:28:07:13 – 00:28:34:12
Rob Kristoffersen
I think that’s what a lot of people’s views of this topic is that the government’s got it, they’ve got the goods, they’re not letting it out. We as taxpayers deserve to know and we’re going to complain about it until we get it. So be the X-Files played a huge part in that, like to the point where now how much has really changed in the 20 plus years since it’s been out?

00:28:34:12 – 00:28:43:15
Rob Kristoffersen
Like we’re we’re almost up to what, 30 years at this point, I think. What is it like 30 years next year? Something like that.

00:28:43:22 – 00:29:07:02
Dan LeFebvre
But I think that’s that’s that sounds right. Yeah, it has been. Wow. There’s another concept that that The X-Files puts forward and it’s in the in season two, the first episode, of course, the title of the episode is Little Green Men, right? In that episode, we find out there’s two craft that were sent into space in 1977 with messages from Earth for whoever might find it.

00:29:07:20 – 00:29:33:23
Dan LeFebvre
In 1990. The show depicts Voyager one passing the orbital plane of Neptune, leaving our solar system. And then later in the episode, Mulder goes to visit an observatory in Puerto Rico, where it appears that there was a response to Voyager, even though we don’t actually see a UFO in the episode, there’s lights. Mulder sees that he’s there while he’s there in Puerto Rico.

00:29:33:23 – 00:29:51:02
Dan LeFebvre
That kind of implies that there’s UFOs. I think The X-Files did a great job. I’m sure for budgetary reasons, you don’t actually see things. A lot of times you see the lights coming through the windows and, you know, causing this effect. And then Mulder sees the while now at least what we kind of think of the stereotypical shape of an alien.

00:29:51:27 – 00:30:17:04
Dan LeFebvre
Even though that episode came out in 1994, I think a lot of people today still poll the concept of UFOs and extraterrestrials being tied together and maybe even the shape of the alien here in this Little Green Men. As the title of the episode, do you think The X-Files contributed to people tying all of those things together, or was that something that was happening even before the show and they were pulling pieces together for that, for that concept?

00:30:17:18 – 00:30:52:18
Rob Kristoffersen
I think it definitely is one of those cases in which it amplified it because the the idea of the little green man comes from the gray alien. So the gray turns into the green. But the term little green men is interesting. It goes back to 1955 in the Kelly Hopkinsville case, in which the Sutton family basically holds off this, you know, these aliens in this like kind of siege on their home, they keep coming back to this window and they keep shooting at them.

00:30:52:18 – 00:31:12:05
Rob Kristoffersen
They keep retreating, but they keep coming back. It was a it was a really fascinating case to find. Yeah, it’s it’s absolutely terrifying. And like, there’s some there was one moment when one of the members of the family stepped out onto the front porch, and he claimed that one of those aliens kind of just like pulled him by his hair.

00:31:12:05 – 00:31:17:02
Rob Kristoffersen
That was like the most aggressive that they got with them. But in the press.

00:31:17:02 – 00:31:22:03
Dan LeFebvre
Sorry if I see if I see that happening, like I’m going to go to the front porch and say like, yeah.

00:31:22:28 – 00:31:24:29
Rob Kristoffersen
But yeah, I mean, it’s probably.

00:31:25:06 – 00:31:26:19
Dan LeFebvre
Just not me. That’s not what I would do.

00:31:26:24 – 00:32:12:01
Rob Kristoffersen
It’s not the smart response. No, it’s it’s not it’s not adequate. Like, just like don’t even engage with them because it’s like they just feel like door to door salesman at this point because they’re coming up to your door, you know, I don’t know what they want. Maybe, maybe they like their UFO broke down because that there was a preceding UFO event that one of the members of the household at the time had seen this like light streaking across the sky and it was like less than an hour later when this, like, this being comes out of like it approaches the house like they were first indicated to it because their dog was just, like

00:32:12:01 – 00:32:32:13
Rob Kristoffersen
barking like crazy in this weird being with you. It was short, maybe like no more than four feet tall hair. It was glowing. It was a luminescent being, had kind of big eyes and it had really big point eight years and it was approaching the house and I had its hands up looking like it was about to surrender to these people.

00:32:33:00 – 00:32:52:27
Rob Kristoffersen
And in response, they just started shooting at the thing to the point where like when they shot, they didn’t hit it. And it started to do kind of these like back flips and it started to float backwards. And it led to this, like, hours long ordeal to the point where I think they were like fending them off for a couple of hours.

00:32:52:27 – 00:33:17:26
Rob Kristoffersen
They got in their vehicle, they went to the police department, police came out with them. They looked at everything. They saw that there was a lot of bullet holes in like the windows and doors and stuff, but they didn’t find anything. So police leaves and these aliens come back and they just terrorize these people into the morning. So that’s where the term little green men comes from, because in the press, that’s what they call them.

00:33:17:26 – 00:33:49:06
Rob Kristoffersen
They it’s kind of similar to with Kenneth Arnold. They talk about because he had mentioned that the the objects that he saw in 1947 looked like saucers skipping across water, that, you know, there were flying saucers at that point. So, you know, that was that was what the press had dubbed them. But in late 1987, you start to see kind of like the concept of of what aliens could be start to be streamlined.

00:33:49:14 – 00:34:19:06
Rob Kristoffersen
Before that, you read reports of humanoid encounters and they’re all varied. They’re all very different. Sometimes people see human looking beings, other times they’re short, other times really tall. But they all look very different. And then you get to 1987, and that’s where the image of the gray comes in. And that image specifically comes from the cover of Whitley Strippers, but Communion.

00:34:19:15 – 00:35:01:02
Rob Kristoffersen
And that book is all about his lifelong abduction experiences. And it was a book that made a lot of big waves at the time because he was a well known author. And he’s coming forward and saying, Hey, I have this lifelong experience of being abducted by aliens. This actually happened to me. And the cover image on there is a painting of this alien by a guy named Ted Seth Jacobs, and it connected with a lot of people there were a lot of people that came forward after that saying, I had an interaction with this.

00:35:01:02 – 00:35:27:25
Rob Kristoffersen
And like, when you look at that cover image, it is it’s uncanny to look at. It’s it’s it’s that uncanny valley, man. It just like plays with you because for one, it’s a really well done painting. But two like the the eyes on that being that alien just stare back into your soul. And after that grays are kind of this big.

00:35:27:25 – 00:35:54:26
Rob Kristoffersen
The, the predominant aliens that people are interacting with, it gets streamlined into, oh, well, there’s certain of aliens that people interact with, grays they interact with, like reptilian looking beings. They interact with what they call like the Nordics, which are like these tall, blond, human looking beings. You know, there’s mantis beings that are pretty voyeuristic in certain accounts.

00:35:54:26 – 00:36:30:15
Rob Kristoffersen
It’s kind of funny, but that image ultimately gets transposed into UFO culture, which kind of gets pushed into the pop culture, and then the X-Files just kind of pushes it out there because one of the best, one of the most iconic episodes, Jose Chung’s from Outer Space. There is that scene toward the end of the episode in which Dana Scully is reading the book, the book of, you know, Jose Chung wrote about alien abductions.

00:36:30:15 – 00:37:04:14
Rob Kristoffersen
He took an interest in it. And on the cover of the book, it’s a spoof, spoof of communion because it’s essentially a gray aliens smoking a cigaret. So that image projected out to people, it definitely helped to become like that main popular image. That’s where the little green men really come from because, you know, the grays, they ultimately in pop culture, they’re portrayed as green now like you see green alien hits like all over the place.

00:37:04:14 – 00:37:11:03
Rob Kristoffersen
So X-Files definitely played a part in pushing that out into the public.

00:37:12:17 – 00:37:36:29
Dan LeFebvre
And it sounds like they’re pulling from different stories from the past in order to tell that story together. You’re talking about. I mean, what could we talked about a comedian before the show, actually, and so I’m familiar with that. The cover image that you were referring to. And I mean, if you see that or even a spoof of it in the show, I’m we have to go back and watch that episode again to look for that.

00:37:37:15 – 00:37:42:14
Dan LeFebvre
But I can only imagine that’s going to push that concept even further.

00:37:42:14 – 00:38:16:07
Rob Kristoffersen
Yeah. Oh, yeah. I mean, it’s, you know, it’s and and that’s the thing is like it’s widely regarded as like probably the best episode of The X-Files ever because and I think what it does is it kind of boils down to all of like UFO culture into one really well done episode. And it also contains an incident in which the there are there’s a government I think it’s like the Air Force or something like that that is going out and abducting people.

00:38:16:19 – 00:38:51:00
Rob Kristoffersen
These are what became known as military abductions. My labs. And in there in that episode, these abductors get abducted by aliens. So it’s you know, it’s just absolutely fantastic. But like, yeah, it ultimately distills what UFOs and UFO culture is down into one really great episode. And I mean, to see Alex Trebek as a man in black is is it an experience that is, you know, one of the best experiences of my life?

00:38:52:06 – 00:39:17:17
Dan LeFebvre
If we go back to the show in season four, episode number 17, there’s a story that centers around a commercial airliner that has an encounter with a UFO. Ultimately, the encounter with that airliner, Flight 549 in the show is a tragic one. It causes the plane to crash, kills everyone on board. Are there any real reports of UFOs interacting with commercial airliners like we see in that episode?

00:39:18:06 – 00:40:03:18
Rob Kristoffersen
Yeah, there is a lot of cases like that in the most famous probably Kenneth Arnold and they and they didn’t really interact, but like it was such a close encounter that, you know, it really it really rattled him at the time. But there is an incident in 48. It’s called the Charles Whitted case. And these two pilots, they’re flying their commercial airliner and they see kind of this they describe it as like a long missile like object, but it like basically flies right next to their plane and they just speeds away.

00:40:04:12 – 00:40:32:26
Rob Kristoffersen
And it made it got a lot of attention in the press to the to the point where, you know, the people were giving interviews. That was it was Eastern Airlines Flight 576. So, you know, they were flying from Houston to Atlanta. And the funny thing is, is like the first thing that they thought was that this was kind of a it was a military vehicle of some kind.

00:40:33:09 – 00:40:59:23
Rob Kristoffersen
But the they they were flying a DC, I think a DC three plane and it was just odd because it was wingless. But another odd feature is it looked like it had windows on it. So it wasn’t necessarily a missile. But the thing was it was Holland and it it had a lot of fire spewing out of the back allegedly, but there are a lot of cases.

00:40:59:23 – 00:41:29:03
Rob Kristoffersen
There’s another kind of infamous case from 1986 over Alaska in which a Japan Airlines flight interacted. They they ultimately see kind of this these like two small prelude objects that are kind of floating in midair in front of their plane. And that gives way to an object that they described as a mothership. They they described this object as like miles wide and just like absolutely huge.

00:41:29:03 – 00:42:09:24
Rob Kristoffersen
Like, when you look at sketches of this incident, like there’s a tiny plane and then there’s this huge UFO, but there are like quite a few incidences in which, you know, civilians, military pilots, they just kind of have these, you know, brief but memorable interactions with them. Yeah, they’re interesting, especially when you can hear like because you sometimes you’ll hear like kind of the recordings between the tower operators and the the pilots.

00:42:10:11 – 00:42:38:14
Rob Kristoffersen
We recently covered a case, a guy there was a guy who’s flying from Zihuatanejo, of all places, the place where Andy Dufresne ends up in The Shawshank Redemption at the end, he’s he’s flying to, I believe, Mexico City. And as he’s in the air, there are these three UFOs that appear alongside them, not to one on each side.

00:42:38:14 – 00:43:14:22
Rob Kristoffersen
And then there’s like one kind of in front of him. It ends up like kind of descending underneath his plane. And his first thought is to get out of the way. So he angles the nose of his plane down, ends up hitting one of these objects. At that point, he loses control of his plane. And he’s he’s trying desperately to regain, you know, the controls and such and these planes, these objects essentially escort him for a certain period of time before they eventually break off and fly towards a volcano.

00:43:14:22 – 00:43:37:24
Rob Kristoffersen
And he is so frightened by this incident that when he is eventually able to land, he actually has to end up he ends up like circling the airport like 11 times because his his landing gear, the doors to his landing gear were damaged. But he finally got him open. He lands the plane, he jumps out of the plane before the engine even shuts off.

00:43:38:01 – 00:44:09:24
Rob Kristoffersen
And he’s just absolutely freaked out. And eventually he ends up having these it ends up making the press in 1978. And he has these men in black experiences after that in which he is kind of harassed by a few group groups of people. Twice he in the first one, he was actually going to make a TV appearance. And this car kind of just like cuts of off the middle of the road.

00:44:09:27 – 00:44:29:12
Rob Kristoffersen
They approached him in his vehicle and they say, you’re not going to the studio, you’re not going to talk about this. So after that happens, you know, he goes home. Eventually, people catch up with them, he tells them what happened and they decide that, no, he’s going to we’ll have a private meeting in a hotel. So he goes and he meets with jail.

00:44:29:12 – 00:44:49:01
Rob Kristoffersen
And Hynek, of all people, he has a, I think, like a 11 hour meeting with him. It was very long, but they were going to make plans to meet again. And while he was going back up to their hotel room, he encounters another group of men in this lobby that says, you’re not going to talk about it, stop talking about it.

00:44:49:01 – 00:44:56:16
Rob Kristoffersen
So, yeah, there’s there’s a lot of interesting cases between, you know, interactions with pilots and UFOs.

00:44:57:21 – 00:45:25:26
Dan LeFebvre
Like you mentioned a few things in there that circle right into my next question. It’s in season five, episode 13, and in that episode we see a UFO in Kazakhstan, in the former Soviet Union, and with the popularity of Hollywood, a lot of movies and TV shows produced obviously in the United States, X-Files included. So it stands to reason that a lot of the UFO reports in the US get a lot more spotlight in pop culture than those outside of the U.S. But you mentioned something like that.

00:45:25:26 – 00:45:51:14
Dan LeFebvre
You know, the the some of the flights that you just mentioned were not in the U.S. do you think there are more reports in the U.S. or is it that incidents like Roswell or, you know, Kenneth Arnold you’re talking about because those get publicized more in things like movies and TV shows like The X-Files. Do you think that’s a reason why they’re, for lack of a better term, more popular than the events that we there are outside the U.S.?

00:45:52:09 – 00:46:20:02
Rob Kristoffersen
I think what’s interesting in I’ve had guests on and we’ve talked about cases that aren’t as well known that should be as well known a lot of the times that they’re not, you know, known far and wide because they weren’t printed in English and like, the thing is, is like UFOs. There were UFO incidences that predated Kenneth Arnold’s sighting in 47.

00:46:20:02 – 00:46:55:07
Rob Kristoffersen
So there was this phenomenon in 1946 in which countries like Norway, Finland, Sweden, some other European countries were seeing these things that they dubbed as ghost rockets. So they were these long objects that would fly really fast. Some people claimed to see them enter into bodies of water and stuff like that. And one of the earliest UFO reports that would it wouldn’t come out until about the 1970s, but there was a guy named used to.

00:46:55:07 – 00:47:46:09
Rob Kristoffersen
Carlson and he he lived in Sweden and he had this encounter in the woods with a landed object. And the he saw a human kind of human looking aliens around it. There was allegedly physical evidence left, including like these two kind of like containers which were used. I don’t remember exactly what they were used for, but I think with the way that the popularity of UFOs took off and because of the kind of massive footprint that American pop culture has worldwide, I think it had a definite influence on the cases that really kind of went to the forefront and became well known.

00:47:46:27 – 00:48:19:07
Rob Kristoffersen
So I don’t think it’s necessarily that there are more, you know, UFO cases in the United States. Maybe, maybe there are, maybe there aren’t. But when you read through reports, a lot of the times what you realize is that your UFO reports, the only time that you ever see that anybody ever sees a UFO in and is if it’s reported, essentially, that’s the only way that we know about it in the States.

00:48:19:07 – 00:48:54:29
Rob Kristoffersen
I would say that that may be changing because now the investigators that were researching and investigating these cases in the forties, 50, 60, 1780s, they’re no longer with us. And the main bodies that investigate these cases generally keep the information to themselves. Organizations like Move On, they’re not very with the information that they have. There’s new Falk, which is another outlet that you can report sightings to their cases aren’t really investigated, but they’re collected.

00:48:55:06 – 00:49:22:18
Rob Kristoffersen
But though, because those investigators aren’t out there, it just seems like there aren’t a lot of UFO cases out there. But I struggle with the idea that, you know, there are more UFOs in the United States than anything I there they have more of a they’ve had more of a, you know, public reputation in the United States than, I think in most places.

00:49:23:00 – 00:49:50:28
Rob Kristoffersen
Like if you don’t read through UFO magazines, UFO journals and read the cases that people are investigating, you wouldn’t know that they were happening. Like, I don’t think a lot of people realize how much of a hot spot Brazil is for UFO cases in Argentina. Those those countries had very strange and intense cases to the point where Brazil kind of has this reputation in which UFOs are kind of hostile.

00:49:51:02 – 00:50:14:05
Rob Kristoffersen
They’ll they’ve been reported as like, you know, harming civilians and stuff. I would say, like the UK has a very good body of of case work on par I would say with the states in many cases there were a lot of great investigators that are still doing things over there. But I think a lot of it is public perception.

00:50:14:21 – 00:50:49:05
Rob Kristoffersen
More than anything. There are always going to be those cases and probably the most well known cases are always going to be American cases. But yeah, I don’t think that UFOs are seen anymore here than they are anywhere else. But a lot of the times it just comes down to, you know, where can you report it to? And and are those people going to make that information prevalent because the UFO journals aren’t there anymore to publish these reports move kind of publishes them from time to time.

00:50:49:05 – 00:51:25:12
Rob Kristoffersen
You’ll see like a blog post of a case that they think is interesting. But yeah, it’s yeah, I just don’t think that. I just think that because of the reputation that the U.S. has, that’s why they it seems like there’s just a ton of cases here, but I definitely think they are everywhere. But it’s interesting. Think, too, when it comes to Russia and like the Soviet Union, they weren’t allowed to talk about their UFO cases.

00:51:25:12 – 00:51:55:07
Rob Kristoffersen
There was, you know, people who had UFO reports were not allowed to release them, share them until 1989. So once once that happened, you know, you start to see more like Russian UFO cases, but yeah, I think it’s a lot of it definitely has to do with the reputation that America has worldwide and especially American pop culture. You know.

00:51:55:07 – 00:52:22:17
Dan LeFebvre
There is a bit of dialog in that episode I was just mentioning in season five, episode 13, that I wanted to ask you about. It’s between Mulder and Dr. Ferber, where Mulder says the conspiracy is not to hide the existence of extraterrestrials, but to make people believe in it so completely that they question nothing. Do you think there’s any truth to that idea that the show puts forth?

00:52:22:17 – 00:52:59:20
Rob Kristoffersen
Or if you think about it, the scientific attitude to extraterrestrial life and like the popular consensuses is like, Oh, there’s definitely alien life in the universe. We just don’t think it has visited here. So I think we are at a point now where we are conditioned to believe that there is definitely extraterrestrial life out there, but I don’t think it’s to that point where it’s just this is an average mundane thing.

00:52:59:20 – 00:53:35:24
Rob Kristoffersen
You know, it’s it’s it’s no big deal. And it’s it’s such a thing that’s ingrained in you that that you don’t question it. But like there are also those people will, you know, just be like a passing comment or something like that. But yeah, I, I don’t think it’s like that. I don’t think it’s like conditioning like that because I don’t see, like the scientific community, like conditioning people to, you know, just, just make it seem like it’s an average everyday run of the mill kind of thing.

00:53:35:24 – 00:54:15:09
Rob Kristoffersen
But yeah, it’s, it’s, it’s interesting. Yeah. The way that they worded it in that because you know, it gets into the idea of like a psyop or something like that in which, you know, people claim that the government conditions the public to believe in things because one of the things that you see now is that people will look at a certain thing, whether that’s the the 2017 New York Times article with the, you know, the footage and stuff like that is like, oh, we’re being conditioned for disclosure.

00:54:15:09 – 00:54:47:06
Rob Kristoffersen
And it’s like, no, I don’t think so. I think it’s just, you know, people did some investigating. They found this project. You know, this project is done and over with. But they did find some interesting stuff. And it’s always those people, they call it quote unquote, drip, drip disclosure or soft disclosure and ultimately this conditioning. But I don’t think that’s a case that people are being conditioned to think about aliens or UFOs in a certain way.

00:54:47:28 – 00:55:09:19
Rob Kristoffersen
You know, and I don’t see that happening. It just seems like that seems like very expensive because like there are plenty of people that also say that some of the UFO sightings and even some of the most like since national UFO sightings were orchestrated by the government, it’s like, I don’t think the government has that much money, but, you know, maybe I’m wrong.

00:55:09:20 – 00:55:19:29
Rob Kristoffersen
Maybe they got those reverse engineered UFOs and I’m just, you know, I’m just living in my world where I block all that out.

00:55:19:29 – 00:55:33:13
Dan LeFebvre
Well, not that we’re talking about The X-Files, but not to go off in. Was it independence? Like, Oh, you don’t think it cost $20,000 for a hamburger or $10,000 for a toilet seat, do you. Right. That’s right. They get the money from.

00:55:34:01 – 00:55:37:12
Rob Kristoffersen
Yeah, exactly.

00:55:37:12 – 00:56:06:09
Dan LeFebvre
We were talking about Roswell just briefly before I mention that. And there’s something else that people are familiar with when it comes to UFO phenomena. It’s Area 51 and we see that in The X-Files in season six. Episode four, Mulder visits that top secret base Area 51 That episode was released in 1998, and I’m a lot has changed since then so what are the current theory is on area 51, is it still synonymous with UFOs as it used to be when The X-Files episode was released?

00:56:07:01 – 00:56:35:08
Rob Kristoffersen
A lot has come out to the point where, you know, the government has officially acknowledged that Area 51 is a thing, but Area 51 became, you know, really well known because of Barbara Starr, like we mentioned before. And, you know, it was dubbed Area 51 by the Atomic Energy Commission because it was part of the Nevada test and training range where they dropped nukes out there.

00:56:35:21 – 00:57:04:24
Rob Kristoffersen
They tested, you know, nuclear weapons and such. But it’s where they actually because they didn’t want anybody going out there, they actually gave this area of land near Groom Lake to Lockheed Martin, basically. And Lockheed Martin, you know, has been at the forefront of, you know, aviation specifically, you know, things like the S.R. 71, the B-2 bomber, etc..

00:57:06:07 – 00:57:31:09
Rob Kristoffersen
You know, it’s the last place anyone should be looking because nobody should be out there because, you know, radiation and stuff. But that’s pretty much where they they worked on, you know, like high tech planes and stuff like that. But any Jacobsen wrote a book about the base called Area 51, which, you know, she exposed what Lockheed Martin was doing.

00:57:31:18 – 00:58:15:05
Rob Kristoffersen
And there’s actually a couple of years ago, there was a great History Channel documentary made about it called The The Secret in the Sky The Untold Story of Skunkworks, which is absolutely fantastic. You know, I recommend any everybody check it out. I think it’s narrated by Dennis Quaid, but it is you know, it talks about all the technological advances that they made with skunkworks and like all the things that they had to design to, you know, make, you know, like the U-2 spy plane, which is still being used today, I believe, because the the camera on that thing is so amazing.

00:58:16:00 – 00:58:32:03
Rob Kristoffersen
The S.R. 71, which it’s it’s frightening to think that there’s a plane that leaks gasoline until you get to high altitude when everything gets squished together and air tight. So, yeah, that’s that’s pretty much what we know.

00:58:32:03 – 00:58:33:11
Dan LeFebvre
That’s a great design, doesn’t it?

00:58:33:18 – 00:58:56:10
Rob Kristoffersen
It does. And it’s you know, if you watch the documentary and you see the footage, you see this plane and it’s just like leaking all over the runway until it gets up into the air, the high altitude. And it’s just like, you know, everything comes together and eventually they have to meet up with like a refuel or in the air to get their, you know, their fuel.

00:58:56:10 – 00:59:09:05
Rob Kristoffersen
But it is an absolutely great documentary. And Gary, 51, is a great book. So if you’re interested in the subject, I highly recommend you go check either one of those out.

00:59:10:00 – 00:59:37:04
Dan LeFebvre
Well, you talk talking about those airplanes. And in that episode in that episode I was talking about with Area 51, there is a UFO that flies over Mulder and Scully and if you pause the episode as the UFO flies away, to me it looks a lot like a B-2 bomber. Yes. Do you think that there’s something to the idea that the UFO is not maybe not even just at Area 51, but it’s you know, it’s actually just military stealth technology.

00:59:37:09 – 01:00:00:01
Rob Kristoffersen
Oh, absolutely. Absolutely. You know, again, with the the Paul Benowitz stuff, like when you look at lights in the sky and you don’t know what the heck it is, you’ve never seen anything like that before. It could be anything. And a lot of the times you see people will, you know, go to the idea, hey, this is aliens or something like that.

01:00:00:01 – 01:00:31:04
Rob Kristoffersen
But yeah, like I definitely think that a lot of mistake in technology, a lot of lights in the sky are a mistake in technology. I remember in that documentary they talked about how like there were reports in, I think like the 1950s or something like that where people were seeing basically like flying crosses in the sky and they basically said, yeah, that that was the U-2 spy plane.

01:00:31:12 – 01:00:41:28
Rob Kristoffersen
They were seeing it from really high up. But yeah, I definitely believe that there are some like secret military technology that is mistaken for UFOs.

01:00:43:01 – 01:00:56:25
Dan LeFebvre
After 13 years. The X-Files came back in 2016 with season ten and the first episode they the Roswell crash from 1947. Based on what we know of that incident, how old do you think The X-Files did recreating that?

01:00:58:14 – 01:01:27:09
Rob Kristoffersen
This is a very sensational version of what happened at Roswell. You know, like in reality, the government’s response to Roswell was very it actually took them 4 to 5 days to get out there. And it actually took, you know, Mac Brazel discovering all of this debris on the ranch he was working at to collect it. And even when it comes to, like, the iceberg crash there, their response was delayed a little bit.

01:01:27:09 – 01:02:14:09
Rob Kristoffersen
But you know, it’s it’s interesting to watch this very sensationalized version because, like, there were no reports of aliens on the Foster ranch or the supposed alien bodies were found in different spots. And like the thing is, is like the narrative with Roswell has changed so many times over the years. So it when it first began in when there was, you know, discussion about bodies, which largely relates to a guy named Barney Barnett who claimed that in an area called the plains of seeing Augustine, he had come across the crashed UFO in 1947.

01:02:15:09 – 01:02:39:15
Rob Kristoffersen
I think like somewhere around July or early July. And he saw alien bodies. He claimed that there was a group of archeology students that had also seen it that had come across the crash site. But when investigators went to track down, he was he had passed away. But the thing was, is he kept telling people about these aliens that he that he saw.

01:02:39:15 – 01:03:09:19
Rob Kristoffersen
So, like, all of these people had second hand stories of Barney Barnett saying, hey, I saw these alien bodies. But then the story morphed to the bodies being found like like maybe a mile or so away from the Foster ranch recovered by the government. There was even one time when it’s when they suggested that maybe it was two UFOs that actually crashed into each other, or maybe this UFO was hit by lightning.

01:03:09:19 – 01:03:51:15
Rob Kristoffersen
But, yeah, like it it wasn’t it wasn’t as sensational, like, as this. Like this. This was definitely weird. Like, they, they went and they kind of ran with it. But I to be honest, I was not a big fan of season ten because it was it kind of veered full blown into like, following the conspiracies as far as you could go, like like modern conspiracies, which, you know, when you’re talking about UFOs and it’s this kind of this like cheeky, funny thing, you know, in like the nineties and stuff.

01:03:51:15 – 01:04:05:05
Rob Kristoffersen
It’s like, yeah, I dig that. It’s kind of a thing. But like, but it’s the way that it’s portrayed in season ten. I’m not, not a huge fan of it, but yeah, I don’t, I do not like this depiction of Roswell in that episode.

01:04:05:21 – 01:04:15:15
Dan LeFebvre
Well, let’s say let’s say you were the showrunner for a reboot of The X-Files. What would be the first case that you would cover?

01:04:15:15 – 01:04:47:13
Rob Kristoffersen
Um, it’s, that’s kind of tough because, like, you know, they can pick and pull from whatever they want. They can influence anything that that they ever did. And like, you can see certain, like real life or like, like events that are alleged to have happened like in season six episode four, for instance, there’s shades of the Philadelphia experiment in there.

01:04:48:09 – 01:05:14:00
Rob Kristoffersen
You know, this alleged event in 1943 in which the government attempted to turn a a destroyer invisible, and allegedly it all went wrong and it caused people to kind of fuze to the ship. If there’s anything that I would love to see, The X-Files do is kind of like a comedic episode, a take on, like Jeff, The Talking Mongoose would be absolutely hilarious.

01:05:14:00 – 01:05:44:12
Rob Kristoffersen
I’d love to see an episode influenced on Jeff The Talking Mongoose, because it’s such a strange story in a strange, isolated place in the Isle of Man. It’s, you know, the story of a a quote unquote mongoose that, you know, lived in this family’s house talked to the family. There was like poltergeist like phenomenon that took place in their in their home and stuff.

01:05:44:12 – 01:05:54:16
Rob Kristoffersen
But it would be absolute comedy gold, just a talking mongoose if if X-Files ever came back, ever did anything, that that would be like the ultimate thing I’d want to see.

01:05:55:11 – 01:05:57:10
Dan LeFebvre
I would watch that. Yes, for sure.

01:05:57:16 – 01:05:57:28
Rob Kristoffersen
Right.

01:05:59:23 – 01:06:16:04
Dan LeFebvre
Thank you so much for coming on to chat about The X-Files. I’m a huge fan of your podcast and I love how you cover some obscure cases so well. So my last question is kind of a two parter. One, what’s one of your favorite stories that you’ve covered? And two, can you let listeners know where they can find your show?

01:06:17:03 – 01:06:44:25
Rob Kristoffersen
Oh, absolutely. You can find the show, Our Strange Skies, pretty much anywhere that you find podcasts. My one of my absolute favorite episodes I recently had on our good buddy Sam Fredrickson from the Not Alone podcast. And we talked about the story of this alien human hybrid that allegedly had moved into this college dorm room with this girl.

01:06:45:00 – 01:07:14:12
Rob Kristoffersen
And she was blind. So she wasn’t totally, you know, open. She didn’t know exactly what was going on, but she claimed to have had this alien human hybrid as a as a roommate. And like, the story gets really emotional. It points and Sam’s the perfect guest for that. So it’s our Rachel’s Eyes episode. So if you want a good introduction to what we do at the Our Strange Skies podcast, go check out that episode.

01:07:14:20 – 01:07:15:08
Rob Kristoffersen
It’s great.

01:07:15:29 – 01:07:20:20
Dan LeFebvre
Nice. I have make sure to include a link to that one in the show notes for this episode. Thank you again so much for your time, Rob.

01:07:20:20 – 01:07:29:02
Rob Kristoffersen
Thank you. Dan.

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110: Communion with Rob Kristoffersen https://www.basedonatruestorypodcast.com/110-communion-with-rob-kristoffersen/ https://www.basedonatruestorypodcast.com/110-communion-with-rob-kristoffersen/#comments Mon, 30 Jul 2018 11:00:53 +0000 https://www.basedonatruestorypodcast.com/?p=2533 Subscribe to Our Strange Skies Follow Our Strange Skies on Twitter Get the book, Communion: A True Story Disclaimer: Dan LeFebvre and/or Based on a True Story may earn commissions from qualifying purchases through our links on this page. Did you enjoy this episode? Help support the next one! Buy me a coffee Transcript Note: […]

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Transcript

Note: This transcript is automatically generated. There will be mistakes, so please don’t use them for quotes. It is provided for reference use to find things better in the audio.

Dan LeFebvre: [00:02:54] All right. Here’s how this will work. We’ll do this in two sections. First. Let’s go through the movie and I’ll do a quick overview of kind of how the movie sets up the story. Then you’ll let us know how much of that could have actually happened. At least according to Whitley’s accounts. Now there’s some rather out there claims in this movie.

So that’ll give us a good idea of how much the movie changed and how much it sticks to the original accounts from Whitley Strieber. And then after that, after we go through the movie, we’ll have an overview discussion where we’ll get to talk about how much of Whitley’s accounts are plausible based on your expertise.

Sound good.

Rob Kristoffersen: [00:03:31] Oh yeah.

Dan LeFebvre: [00:03:33] All right, let’s do this. So initially let’s sit up or set up the timeline location characters. The movie starts in 1985. It starts by setting up Christopher Walken’s character Whitley Strieber. He is an author in New York city who hasn’t kind of strange dreams. Now, before we get too far into our story today, let’s just kind of set up the scene and characters.

Thereby stopping there. So I’ll admit before communion, I’d never heard of Whitley Strieber I didn’t know anything about him. So I know a lot of times movies change names kind of build composite characters or just make up completely fictional ones. So. First question is Whitley Strieber even a real person.

Was he married to someone named Anne son, Andrew, kind of the family dynamic we have going on there and for lack of a better way to put it, was he a perfectly normal author before the events that we see in the movie in New York in 1985.

Rob Kristoffersen: [00:04:33] Yes, Whitley Strieber is who he is in the movie. He is a writer, by the time that communion comes out the film, and even, even the book he had been writing for over almost 10 years, and he had written two really successful horror novels, one called the Wolfen, the other called the hunger.

And they were both actually made into films. So. On that end, that is 100% true. And he did, he did have a wife named Anne. She passed away in 2015 and, their son is indeed named Andrew. in

Dan LeFebvre: [00:05:12] terms of a

Rob Kristoffersen: [00:05:14] normal, you know, a perfectly normal guy.

Dan LeFebvre: [00:05:18] It

Rob Kristoffersen: [00:05:19] seems like he’s normal. I think that’s the best way to put it because,

Dan LeFebvre: [00:05:23] when you read

Rob Kristoffersen: [00:05:24] communion, Whitley kind of says odd things at times that his wife kind of calls him out for whether it’s a.

what did we get into the, the experiences that he has? He talks about seeing a crystal above the house or the, the F like the time that he was flying and like, just really weird out of place kind of, you know, statements that he makes. But for the most part,

Dan LeFebvre: [00:05:50] yeah, he is

Rob Kristoffersen: [00:05:51] a pretty normal guy until, until the events of a communion.

Dan LeFebvre: [00:05:55] Okay. Well, I mean, we can kinda. Give that a little bit of a break. I mean, authors very often are strange a little bit out there, maybe. I mean, you’ve got to have, have the idea in your head, right. I often wonder what Stephen King is actually like to come up with some of those stories, but they’re great stories.

Rob Kristoffersen: [00:06:14] So,

Dan LeFebvre: [00:06:16] alright, so let’s, let’s jump right into the first experience then. It doesn’t really, the movie doesn’t really tell us any sort of a date, but we find out later on that this is October 4th, 1985, Whitley and his family are in their cabin in upstate New York. And they got a couple of friends with them.

And the first night that they’re there, as everyone is in bed, that security system does something kind of weird. The lights turn on outside first to kind of seems like there’s nothing. Then the security lights turn off, then all of a sudden there’s this blinding light. You can tell they’re not the security lights, it’s something else.

everyone in the house, except for Anne seems to see the lights and even Whitley sees a little sliver of an alien face in his room, but he doesn’t believe it’s real. Then the next morning over breakfast, Whitley tries to convince everyone it was just a nightmare that they all happened to have at the same time.

so my question for you then is after this first experience, Was it true that he, well, first that kind of what happened there in the movie, that was that the first experience, but then it seems like Whitley didn’t believe it, or nobody really wanted to believe that. He saw an alien, which we clearly saw in the movie there.

So was that true that he didn’t really even believe it himself first? The

Rob Kristoffersen: [00:07:34] thing

Dan LeFebvre: [00:07:35] about the it’s the

Rob Kristoffersen: [00:07:37] October

Dan LeFebvre: [00:07:37] experiences

Rob Kristoffersen: [00:07:38] that

Dan LeFebvre: [00:07:40] it

Rob Kristoffersen: [00:07:40] was so kind of downplayed to him, it wasn’t a full blown memory of seeing this, this being in the corner. Like they set it up in the film at first. what he, what happens to him is.

Dan LeFebvre: [00:07:52] He wakes up

Rob Kristoffersen: [00:07:53] to this light that passes by his living room window. And that’s kind of a familiar theme over and over again. And in abduction accounts is there’s usually a triggering event either involving a light or it involves a sound. So

Dan LeFebvre: [00:08:10] Whitley sees this

Rob Kristoffersen: [00:08:12] light. coming by the window. And all of a sudden he has the distinct impression that the roof is on fire.

So he goes to check it out and, you know, he finds that the roof isn’t on fire. Gets back in bed and, in the book the next morning, he just wakes up and that’s, that’s it. when he goes into, the hypnosis sessions later on, you find out that. What had happened was is that it w there was this light that passed by outside.

He did go to check on it. When he came back to bed, all of a sudden, he, he sees this being in the corner and, in the, in the movie, it’s not the same being that he interacts with, in real life. It’s actually one of the

Dan LeFebvre: [00:09:00] shorter

Rob Kristoffersen: [00:09:01] blue beings. And what it does is, it rushes up to him. Like one of the freakiest things.

And one of the things that this movie does terribly, is it downplays like how terrifying the actual quote unquote beings are because they move incredibly fast. They, they have weird jerky movements at times, too, but it essentially has this silver rod in its hand. Whitley describes it as being more like a nail.

And essentially it. Touches the flat end of what he thinks the nail is to his forehead. And he gets these visions and he sees these, you know, this APOC, these apocalyptic visions of the world basically exploding. And he also sees this vision of. it’s his son sitting in a park and he takes this as to symbolically mean that it’s death.

And, he, you know, he’s screaming the entire time. And meanwhile, next to him is you later find out she’s aware of it, but she essentially in this story is kind of like,

Dan LeFebvre: [00:10:12] She’s there

Rob Kristoffersen: [00:10:13] to support Whitley. That’s the role that she’s been assigned. So realistically, she’s just laying there and acting like nothing’s going on, but he’s having this terrible experience.

Jack and Annie, who are the guests for the weekend. here. I believe Jack has actually woken up by the light in the film. It’s it’s both of them that are woken up by the light, but Annie ends up hearing the scampering of feet upstairs and that’s just,

Dan LeFebvre: [00:10:41] Oh

Rob Kristoffersen: [00:10:41] God, that’s terrifying,

Dan LeFebvre: [00:10:44] but not what you want to hear at night.

Rob Kristoffersen: [00:10:46] No, no, no, no, definitely not. and, Yeah. The, the alien being does that for a little while. And then, it runs away and Whitley wakes up the next morning and, they, they talk about the light. but it isn’t as dramatic as they make it out to be in the film. It’s not like jock is like,

Dan LeFebvre: [00:11:04] Oh, you need to bring this one down.

Yeah. He just like turned on it really quick. Yeah.

Rob Kristoffersen: [00:11:10] Did

Dan LeFebvre: [00:11:10] now, did they have any sort of experience like that in the movie focuses on, on whitleys. and then of course, as you say, they wanted to leave right away. did they notice anything? The guests,

Rob Kristoffersen: [00:11:24] other than, yeah, Jacques was just, he was woken by the light.

Like he saw the white,

Dan LeFebvre: [00:11:29] but not the alien coming in. No, didn’t see.

Rob Kristoffersen: [00:11:32] Yeah. And the weird thing was, is yeah, the end. He didn’t. I don’t believe she recalled seeing the light. She just heard the scampering of feet, but never saw any of the beings. Okay. So yeah, that’s, that’s pretty much their experience, but it’s interesting because it’s, if you take that to, you know, coming from Whitley to be truth, well, at least not the only one experiencing something right.

Dan LeFebvre: [00:11:57] And I guess I shouldn’t have called them aliens at this point, but the, I mean, that initial scene of seeing that is just like the stereotypical alien there, but it sounds like that’s not what they saw at all this first time.

Rob Kristoffersen: [00:12:11] Weirdly never refers to them as aliens. and, and part of it’s just because he’s trying to figure out the entire time, what is going on, what’s happening to him?

What are these things that he’s interacting with? And. Instead, he calls them visitors. So, and he’s basically, he’s doing that to try to cut his bias as best as he can. And like he does the best job possible trying to come at the, his experiences from as an objective viewpoint as possible. Okay.

Dan LeFebvre: [00:12:47] Well, let’s move on to the second experience.

And the movie then that happens a couple months later, a day after Christmas, actually December 26th, 1985. And this one is a little bit stranger than what the first experience was in the movie. Again, we’re at the cabin in upstate New York and we see the same bright light, based on what happened the first time we kind of have a foreshadowing of what’s going to happen.

but this time, the door to Whitley’s room creeks open. And this is when we see the blue beings. For the first time in the movie, there’s four or five of them that we can see on screen at any one time. And they pick up Whitley and just kind of carry him away. And then we see a scene of what looks like the beings experimenting on Whitley.

And again, the next morning, Whitley doesn’t really seem to have a recollection of it, or he’s just ignoring it one or the other, he greats and in the kitchen and. Asks, if he saw, she saw an owl coming through the window last night and I’m like, Oh, this Don bought us on all coming through. So I’m not really sure how else to phrase this, but did that happen?

Was he abducted by blue creatures and then experiment in the film?

Rob Kristoffersen: [00:13:59] So in the, in the book he talks about how

Dan LeFebvre: [00:14:05] he

Rob Kristoffersen: [00:14:05] did see

Dan LeFebvre: [00:14:06] the door creak.

Rob Kristoffersen: [00:14:07] Close

Dan LeFebvre: [00:14:08] boat.

Rob Kristoffersen: [00:14:08] The strangest thing, like when, when he goes through the hypnosis session in the movie, he sees this, it almost looks like a, like a metallic dummy with a hat and a symbol on the front of it.

Dan LeFebvre: [00:14:21] Like you were talking about earlier.

Rob Kristoffersen: [00:14:23] Yeah. and basically what he sees is an alien wearing that outfit and it rushes towards him.

Dan LeFebvre: [00:14:29] And then he just the scariest part in the movie for me when it rushes

Rob Kristoffersen: [00:14:32] and he just blacks out. And that’s a familiar thing that you find over and over again, is that,

Dan LeFebvre: [00:14:38] these

Rob Kristoffersen: [00:14:40] being showing up or, just, just seeing them, like your body has a.

Tendency to react. So sometimes people will just go into complete fear mode, but nine times out of 10, what they do is they just black out. So we don’t really know if there were blue beings that actually took Whitley out, but, they did, they did take Whitley out of his bedroom. They brought him to the front porch and then they, ended up transporting him into the woods where he was taken up into a craft of some kind.

And the, the thing that this movie downplays a lot is that there is one being that Whitley kind of has a relationship with his entire life and she’s a female. And essentially she looks like, In the movie, there’s only two kinds of beings. They, you got the blue ones and then you’ve got the really tall ones with the, they’re like almost like a brownish color.

And they have like the typical gray face. Well, that’s essentially what she looked like, like the, the act, the absolute, the model that they took. from the cover of the book, if you look at the cover of the book that they released in eighties, seven that’s the exact picture of what she looked like.

And then they just like condensed it into, well, there’s only two kinds of beings. When in reality, Whitley was interacting with. Three of them. There were as the blue ones, there was a, the ones that you would think of as the typical grays only they didn’t have like the almond shaped eyes. They had round eyes that were black and their mouth was like a round hole.

That was also black. And then, the being that, you see in the movie, this female being just interacts with over and over again, and like, She’s explaining what they’re going to do to him, that they have these procedures that they’re going to do. But the thing is, is like, Whitley notes that she’s almost sounds like she’s bored.

Like she’s done this a thousand times, so Whitley’s freaking out because, what happens to him is he has this, procedure done on his brain. they, I believe that thing in the movie where it’s behind. It’s on his neck, near his ear. it’s this, like Mark, he has this puncture Mark that, they, that happens, that that’s one of the marks that they leave on him.

And then, they do something with his brain and they also do, there’s, there’s a few other tests at one point. Cause Whitley is just freaking out the entire time the being asks him, what can we do to help you stop screaming? And he looks at her and says, well, you could let me smell you,

Dan LeFebvre: [00:17:33] which is like to make a story.

We’re not the first thing I probably would have. I guess I’ve never been in that situation side. I don’t know, but

Rob Kristoffersen: [00:17:40] yeah, just to make a story weirder, you know, but. It kind of grounds him, so he’s not freaking out. And, they do a bunch more medical tests on him and then they just send him back. But, what you find is that, the reason that Whitley starts remembering this thing, like all these experience, because they go back his entire life, which the movie doesn’t really get into, but because he asked that being.

to smell that being that that’s really what triggers all of this because Whitley, doesn’t need a lot of, he, the hypnosis session isn’t really for this event, it’s for the October, event. And he can recall, yeah, most of this, which is a pretty remarkable, but, the reason being, because he asked the being too.

To ask the Mel the being, which is

Dan LeFebvre: [00:18:36] interesting.

Rob Kristoffersen: [00:18:37] Yeah. It’s really interesting. And then it sends him down this spiral of stuff that he remembers and, it, and then it turns into a bestselling book.

Dan LeFebvre: [00:18:47] Well, I mean, I’ve heard that, you know, the mind associates things with smell. So I wonder if you know, you, you smell somebody’s perfume or you smell cologne or you smell something that.

Somebody used to have, and that kind of reminds you of them though. The mind can trigger that kind of stuff. I wonder if that’s the connection that was kind of going on there? Yeah.

Rob Kristoffersen: [00:19:07] That’s something that he does touch on in the book. he thought it was strange at first that he would say that, but. he’s, he’s running through it in his head.

He’s like, yeah. You know, if that’s something that you want, if you want to be grounded, you know, smell is one of the easiest ways than probably one of the most strongest ways to do that. So, and, and the interesting thing is, is that, the beings, smell there’s this combination of smells that is, smoldering, cardboard.

Organic sourness and cinnamon.

Dan LeFebvre: [00:19:37] That’s an interesting combination.

Rob Kristoffersen: [00:19:39] Yeah. And the, and the thing is, is like, how would you make that out? I don’t understand how you would make that out. Like, cause like it’s, it’s not like these are three. Smells that go together unless you’re like really like maybe dumpster diving or something.

I’m not sure, but

Dan LeFebvre: [00:19:55] apparently they do go together though. That’s what I don’t know.

Rob Kristoffersen: [00:20:00] And that’s the thing. It’s common people report over and over again that, they, they smell cinnamon and they smell burning cardboard.

Dan LeFebvre: [00:20:09] Now, is that, is that common after communion? Or is that common before, like the Whitley kind of come up with that and then other people are kind of latching onto that.

Do you think, or I don’t want to get too far outside the movie timeline itself, but just curious about that.

Rob Kristoffersen: [00:20:24] you started to see it more and more after. And the reason that is, is that, throughout the eighties, that’s when abductions kind of blew up in popular culture. and a lot of that had to do with a book that was released in 1981 called missing time by bud Hopkins and, bud Hopkins isn’t in the movie, but Whitley, works with him, To try and figure out what happened to them.

But missing time kind of lays out like the features of the abduction phenomenon. And, he also publishes another book in, I believe 1983 called intruders about this one woman’s lifelong experiences with, beings kind of like Whitley. But what separates Whitley from everybody else is that he’s a writer and you know, he’s already a writer and he has this great ability to not only tell you how he’s feeling, but to make you feel what he’s feeling in the book.

And, that for a lot of people, it either, it has this effect where you either. Agree with him or you just flat out disbelieve him and who could blame anybody? It’s it’s a tough thing to really wrap your head around. I know people like communion is one of the most hotly debated books in all of UFO research and it has been for decades now.

And, It’s still a really good read a few. If you want to freak yourself out a little bit and you want to really experience what a guy went through.

Dan LeFebvre: [00:22:04] Yeah. Yeah. Well, speaking of which we can hop back into kind of the movies timeline. You mentioned it briefly before the hypnosis, and this is kind of what happens next in the movie.

it was actually Anne, who suggests that he goes to a therapist named dr. Janet Duffy. Now dr. Duffy then suggest that Whitley goes through hypnosis to help remember the things that he can’t remember on his own first. He’s kind of resistant to it, but then, and insists and he agrees. Now there’s two separate hypnosis sessions in the movie.

One for each of Willie’s experiences. Although, based on what you had just mentioned, it sounds like he, he was able to remember the one in December, but through these sessions, Whitley kind of experiences, the, he starts to realize that the experiences were a little stranger than he thought at first. So the little blue doctors is what he calls them and that’s kinda what his son calls them as well.

But then he also starts to remember, you know, the aliens that would be a little more traditional to what we might think of when we think of the grays except being a little more skin tone color, kinda like the one we saw, early on, but probably the two biggest revelations to Whitney in these hypnosis sessions.

Is that not only they’re real, but he’s been having them his whole life. And he’s kind of getting the inclination that now they’re being passed on to his son, Andrew. So we’ll talk about the validity. I want to talk about the validity of hypnosis kind of at the end, after we get the movie itself, but was it really this hypnosis session that kind of helped.

Whitley start to believe that these were real, up to this point in the movie, he’s still kind of resisting it, not wanting to believe that this is real. And then we touched a little bit on kind of this going on throughout his whole life. But, at this point in the movie is when we kind of start to realize that.

And was that kind of when he started to realize that as well

Rob Kristoffersen: [00:24:01] for him, it was this, I’ve had these two really strange experiences. I need to learn more about it. And when he learned more about them, he ended up going back into these paths, these experiences in his past, and just kept finding really

Dan LeFebvre: [00:24:19] odd

Rob Kristoffersen: [00:24:20] features of all of these experiences.

Like when he went into his, December 26th, regression session, it at one point he actually jumped from December, 1985 to. I believe it was, sometime in 1958 where he was on a train with his father and him, his father and his sister all get abducted off this train. They all have this experience.

And, What really sticks out for him is seeing his dad like so afraid, in front of these alien beings. And it just like really stuck with him at that point. And he keeps going back and finding these odd experiences. Like at one point he talks about how the aliens taught him to build like an, a particle accelerator and he ends up building one in his bedroom and it like.

Like kills the house electricity. It was. So it was so weird. he talks about how, there’s a couple experiences camping, in his backyard where he encountered, one was a, this like mantis type being in it. Literally when people talk about them in the abduction literature, they literally look like in like seven to eight foot tall praying mantis.

And it ends up putting this like hat or something on Whitley to do something to his brain. And he doesn’t remember much after that.

Dan LeFebvre: [00:25:53] He recounts this

Rob Kristoffersen: [00:25:55] really odd 24 hour period where he keeps missing chunks of time. So he starts by, He he’s heating up a TV dinner and he’s sitting down to eat it. And then all of a sudden it goes from his lap to the, Coffee table and he didn’t put it down or anything.

And, six hours had passed. Oh, wow. And then he was going to go reheat it. And on the way to reheat it, another 12 hours had passed and he keeps experiencing these jumps in time for, about the course of 24 hours, which, is, I don’t even know where you begin with

Dan LeFebvre: [00:26:33] that. I mean, if that, if that happened, that would be, that’d be terrifying to not know.

Just kind of black out like that.

Rob Kristoffersen: [00:26:40] Yeah. And, and that’s how he treated it. He thought he was just blacking out. Like he, he had, you know, just problems, something wrong with his brain. So, at a certain point,

Dan LeFebvre: [00:26:51] he,

Rob Kristoffersen: [00:26:53] he eventually just runs out of the apartment, ends up at this. All night diner, just, you know, mowing down on a big breakfast, big breakfast.

And, he just, sucks down six glasses of orange juice. he keeps going through all these experiences. So for him, I think he’s always going to struggle with kind of the reality of it. He may accept it, but he doesn’t know what the reality of his experiences are. And, and that kind of makes for a tough movie to film, because if you don’t have an ending, really, and you can’t really say what the heck is going on, because like I’ve said, he had like five or six theories as to what these beings may be.

Helped him deal with the reality of the situation. Just not the reality of everything surrounding the situation and, and what causes it

Dan LeFebvre: [00:27:49] and your movie. You want closure. Yeah. You want to know how the story ends and if you don’t know how the story ends at you, like yeah. It makes for a tough movie.

Rob Kristoffersen: [00:27:59] It does.

And, it doesn’t help when you have, an actor like Christopher Walken, who is how better to put it crazy, or at least comes off as crazy. And like every, almost every role that he’s in. So, to try and capture a guy like Whitley, who. Maybe experiencing all these things, but is completely down to earth about it.

it’s definitely makes for a jarring experience

Dan LeFebvre: [00:28:26] while speaking of drawing experiences, and kind of wrap up the movies timeline because after the hypnosis Whitley kind of starts to believe that these are real, at least in the, in the movie. And so he decides to head back to the cabin by himself.

When he gets there, there’s this bright ball of light in the woods. And he grabs his video camera head toward the light, but he never actually videotapes it. Of course he heads inside to find the aliens there. And this is. When it gets a little weird as if it wasn’t weird up until now, but, little blue aliens take the video camera from him and then he dances with them and he realizes he’s awake.

So this must be real. Then you see Christopher walkin, another version of Whitley, you know, as it looks to me, it looks kinda like a magician that he’s got like a toxin, a magic wand and little pencil mustache. And, and then it, I, I don’t really know how he comes to this, but he kind of comes to the realization that the aliens won’t let the humans see them.

they’re, they’re purposely kind of hiding. And then all of a sudden he’s back in his truck, it’s daytime, like just, it just cut there. And he goes home to an Andrew and kind of seems to have this kind of, the Hollywood happy ending, where he’s accepting the experience at least, you know, at least.

Assuming that it’s not necessarily something negative. They don’t really know what it means, but it’s something that he’s come to the, just to accept it. Now I’ve found it very convenient that Whitley never caught anything on video. That was something that, as I was watching the movie, I kind of noticed that, you know, he’s back in the eighties, you didn’t have cell phones like today, so he didn’t always have a camera with you, but it seemed like he always had a camera with him.

And yet he still never really seemed to capture anything. so my final kind of question would be almost a two parter first, did he actually capture any video footage of these experiences? And then of course, kind of that last strange experience with the dancing little blue doctors and such, was that something that.

We already kind of talked to him about him, whether or not he believed it was real or not, but was that something that he experienced as well

Rob Kristoffersen: [00:30:38] at a certain point? he, he has a hypnosis session in March of 1986 and, he goes pretty deep on it. And when he comes out of it, the image of the female, he has this image implanted in his head, but it’s not, it’s not just an image.

He calls it kind of like a, a holographic projection. And

Dan LeFebvre: [00:31:04] that’s the same female you were referring to earlier?

Rob Kristoffersen: [00:31:07] Yes. Yeah. She’s got the, like really leathery looking skin like they do in the movie. And, She’s yeah, she’s, he’s just had this relationship with her, his entire life, which is something that is a common theme over and over again, is that a duct T’s will report having a relationship with one of the beings and they always have a gender and it’s usually a gender opposite their own, but,

Dan LeFebvre: [00:31:32] He

Rob Kristoffersen: [00:31:33] has this image in his head.

And basically what he could do is he can ask it a question about like it’s anatomy or something like that. And it like shows him what it, you know, like what its feet look like or what his hands look like or what it looks like when it closes its eyes and, and such. So what ends up happening is that at one point he thinks in his mind, what would I add?

What would, what would it be like if the, if I asked them the, the beings to come see me and it, and this image just gives him this hard glare, it wasn’t anything malicious, but it was just a really hard glare. So the really intense, dance sequence and all that stuff that doesn’t happen. and you get the theme over and over again, that.

The beings themselves need to be in control. Like Whitley gets the sense that they are kind of afraid of us just because we are, we seem to be, you know, we’re such free spirits and they are kind of like a hive mind. They like many of them walk in a lockstep and unison and they appear to, you know, follow orders and they appear to, just, do what’s required of them.

So. And at, at the end, the last experience that he has in the book, it’s one night he’s sitting up reading he’s fully conscious for this. And all of a sudden, appears three of the blue beings, like. Probably about five feet away from him on his side of the bed. And they all, they’re all like smiling.

And then all of a sudden he sees one right next to him. It’s a, it’s a, one of the gray beings with the black eyes and the black mouth. But the weird thing about it is that it’s wearing a cardboard cutout suit that it’s made to look like a, a double breasted suit, but it’s made of cardboard. And he’s wearing it.

He’s got a fedora on and they’re all just smiling on Adam and, this to him, he ma he takes it to mean that, this is confirmation of his experiences that he’s fully conscious. There are real, and you know, it’s been happening. So. That’s how it ends for him. And, and realistically it’s only about 170 pages in the book, the hundred and 30 that are left after that, he’s just trying to make as much sense of it at all.

But, and then it just sends them down a path of where he wrote like five sequels to this. I mean, from, 88 to, 2012. So. And he’s still out there. Right. And then books, nice. He’s like 73 years old now. Still doing it. He hosts the podcast.

Dan LeFebvre: [00:34:30] Yeah. Well, all right. So let’s kind of start to make some of the, some sense of this ourselves.

we’ve talked about the timeline of the movie itself. And so we can kind of move on to just kind of some of the overall stuff. One of the first things as I was watching this, I was thinking, have you ever, you’ve seen the Revenant. Yep. So that was the first episode that did on this podcast actually.

And one of the things, even as I was researching that it’s in that movie, you know, it’s Hugh glass and he just survived just extraordinary things, but he does it alone. Like there’s only, he’s the only witness there. And so you kind of have to take his word for it or just don’t believe any of it. There’s really no in between.

Cause there’s absolutely no way that we can verify. Anything that he did completely on his own. And so in my mind, even though there’s others that are there, a lot of the things, at least in the movie, only happen to Whitley. And so it, it’s almost a similar thing where, You either have to believe him or you don’t, and there’s just not a lot of middle ground there.

So I’m curious to hear what your thoughts are based on. We’ve talked a little bit about some of the other cases and things like that, that you’ve studied. Do you think any of this really could be true that he experienced this. There are

Rob Kristoffersen: [00:35:51] so many cases out there of people having these kinds of interactions in the book, he has a section called the hidden choir where, there are like support groups that meet to talk about their experiences and to deal with them.

So. Whitley kind of just touched it off. But people had been having these experiences for years. The first, widely publicized, abduction account, came from Betty and Barney Hill in the sixties who, when they were returning home from a trip to Niagara falls, they, encountered this. UFO on the road.

And it essentially took them aboard, subjected them to medical tests and brought them back. And it kind of became a, a narrative, but it took, almost 20 years for it to really, hit the mainstream in such a way that, you know, people took it even remotely seriously, even though, it’s definitely one of the, you know, most hotly debated issues, in UFO study.

So, yeah, it’s okay. Just the overwhelming amount of these type of cases. The fact that a lot of these people are suffering from things like PTSD. They are, they have dissociative disorders, because of it. And, there was a really great Harvard psychologist that dr. John Mack who studied this, and even he couldn’t, find real world answers for it.

He, he believed it had something to do with consciousness, but, he couldn’t find, like real world. Problems disguising themselves as aliens too, to describe it. So for

Dan LeFebvre: [00:37:43] me,

Rob Kristoffersen: [00:37:45] I tend to err on the side of, being open to it. I don’t exactly know what it is, but it’s definitely something that. it just so many people have experienced it to not take it seriously and to not think that something’s going on.

Dan LeFebvre: [00:38:02] Yeah. Well, that makes sense. And I’m curious, based with Whitley being an author, I wonder how much that kind of played into his being a little more popular than others. but with what it sounds like there’s a lot of, people who have these experiences. How many of them are kind of like, Whitley’s where he went beyond just seeing them.

I know there’s a lot of people who see have, but then there’s the next step of actually in Whitley’s case, you know, being abducted by them, is that something that’s kind of unique from what Lee’s story is that also something that a lot of people experience,

Rob Kristoffersen: [00:38:39] it’s not entirely something common. Cause it shows up at a certain point in, the literature and such.

So, It’s tough to really say exactly

if communion really touched it off, or if communion gave people an outlet to talk about their, their, their experiences and such, because we have abduction accounts from. from the middle to later sixties, even in the seventies, the, the abduction accounts from the seventies are really strange. I just, on my podcast, I just covered, the abduction of a young man named Lee parish.

And he was just driving home from a friend’s house at one in the morning. And he gets abducted by these, this group of three, like. Mandalas. They’re not people they’re like, one of them looks like a really tall wall. The other one is smaller, about five feet tall and has the dimensions of a Coke machine.

And the other one, the third one is, this, it almost looks like an, an enlarged antique adding machine and they experiment on them and put them back. It’s interesting to note how the abduction accounts from the seventies, the beings are all different. They’re not this gray, typical being that doesn’t happen until after really bud Hopkins gets involved in the phenomenon.

They start to become like the figurehead for the abductions that are happening. And then you get to the nineties and it kind of tails off because, it just kind of loses steam. It loses popularity, it’s it almost seems like it’s a fad for popular culture, but people still report it. And, the tough thing to grapple with is that you have people telling their stories now that are saying their stories, their experiences go back to the fifties and the forties and even the thirties.

So, It’s a really tough phenomenon to wrap your head around just because it almost seems to change over time, which is very, very strange. And, and it’s, it’s something that keeps me up at night, man. It really does.

Dan LeFebvre: [00:41:07] Yeah, I would imagine so. I mean, that’s, it’s, I can’t explain it. I mean, it’s, it’s just something that, it’s, it’s fascinating.

all, all the, the. The range of, of different types of experiences and something I’m curious about, this happened in the movie too, with the hypnotic therapy. I’m curious, is that something that, can you, can you consider that trustworthy? I mean, if somebody is kind of remembering these things and I’m assuming, I mean, if something happens to somebody and then they recounted later, of course they’re going to be going off of memory and then you have in the case of, Whitley and, I’m sure there are others, if you know, there’s other experiences out there that kind of get pulled out through regression therapy, through the hypnosis there and.

Is that something that is common in order to remember things that you couldn’t really remember? Or is that something that I’ve heard reports of, you know, how the therapist is almost implanting, ideas and they’re kind of leading the questions a lot of times. Is that something that’s, that is an issue with that?

Or like, I guess overall, how trustworthy can it be? If somebody is remembering something through hypnotherapy that they don’t remember?

Rob Kristoffersen: [00:42:20] That’s a hotly debated thing. in my short time at Moofawn, with, Chris Cogswell, host of the mad scientist podcast, he, had gone on this endeavor to, kind of do new things and move on.

Cause they were a little stagnated. They, they’ve been doing the same things for, for decades and it hadn’t been giving any results to the public. So, One of the things that he was working on is he was trying to, look at the effectiveness of hypnosis on these type of patients. It depends on, it, at least from what I’ve read, the, the person doing the hypnosis, if that per the best people for it would be those that are not.

familiar with the topic, which, Whitley Strieber. He, he initially consulted with bud Hopkins, but Hopkins had his own person that he trusted to do a hypnosis sessions. And he sued and he suggested to Whitley, Hey, go, go see this guy. He’s he’s great. I use them all the time. At least like, Nope, I’m going to go find my own guy.

So he finds this guy named dr. Donald Klein and through the course of, I believe he did four or five total hypnosis sessions. and they’re transcribed a good portion of them are transcribed, verbatim. If you don’t ask leading questions, you tend to see, you know, diff results that don’t seem bias or don’t seem like they are implanted.

And even at certain points, when he he’s asked leading questions, he won’t give a leading answer because the idea is that, you know, if you ask a leading question, They’re automatically going to, you know, say yes or go with that line. And when you read these, transcripts and they don’t always, and, for instance, in the, in the book, with an, what you find is that Whitley has an easier time of going through hypnosis than Anne and almost acts like she has this block.

And the reason that she CA she has this, this, because. the way that she, recalls her experiences, it says

Dan LeFebvre: [00:44:39] if

Rob Kristoffersen: [00:44:40] she serves, an absolute function, which is to kind of ground Whitley, but also to turn a blind eye to it so that, she’s not exposed to it at all. and she talks about how, there’s a, I believe it’s the.

October 4th, experience, she talks about how there’s a friend in the room telling her that it’s Whitley that has to go it’s it’s Whitley that has to do this. She just has to lay there and she’s there for Whitley. So, it’s, it’s interesting to see how during that, hypnosis session, because she actually used a different.

psychologist, she used a guy named dr. Robert Naman to do that. How, even when he asks leading questions, he wouldn’t get a leading answer. It wouldn’t just follow that line. So, I think the jury’s still out 100%, if it’s effective for, you know, abduction, abduction victims, but. if you can find the trustworthy ones and using your best judgment, you can kind of discern which ones are good, which ones are bad, which ones are absolutely, you know, people asking leading questions.

And at one point, during Anne’s hypnosis session, bud Hopkins steps in and starts asking questions. And he confuses her because he’s at one point he’s trying to get her to remember something and he kind of confuses her because, he doesn’t specify as he’s talking about the October experience or the December experience.

So, there are definitely moments when some people just screw it up. Like bud Hopkins, I have my issues with him. but, yeah, it’s, you gotta take it pretty much. By a case basis. Look at what they’re asking, take a look at the transcripts and see if it’s good information. If it’s bad information, if it’s just people following where the hypnotist is leading them.

yeah. That’s, that’s really the best way to look at it.

Dan LeFebvre: [00:46:52] Yeah, that makes sense. I mean, the, the, the leading questions is something that, I, it makes perfect sense, which makes me wonder then with Whitley. And we talked about this a little bit earlier, but, I, I used the term aliens and you kind of reminded that he never used that term.

He always calls them the visitors, which is, you know, with. The overwhelming implication in the movie at least is these are aliens. And, but he’s still, never called them that. So that’s almost a, you know, a leading question in and of itself. I’m sure there’s a lot of stuff that comes at him where they’re really trying to get him to just say they’re aliens and he’s still not doing that.

Do you think that helps add credibility to that? to his experience?

Rob Kristoffersen: [00:47:36] To me. It does to a lot of people. It doesn’t, and I know people who have read, communion and they just roll their eyes at every, every single page. They, they don’t even, they don’t even give it a chance. But, the thing to understand is like Whitley did everything possible that he could not to contaminate, His results.

he, yeah, he went against bud Hopkins wishes, went with the psychologist that he felt, would be good for him. he never actually told Ann anything about his experiences as they were happening. It was only after she had gone through her hypnosis sessions, which was months, months after he had started his.

So they kind of were on separate ends of things. Which, you know, in the movie, she’s she’s in, on it from the start. So that that’s one marked difference. And like, I forgot to mention this, but like in the book, The video camera stuff. He does not have a video camera. So that’s, that’s kind of the reason why he doesn’t capture anything on camera.

He’s just not that

Dan LeFebvre: [00:48:41] guy. He doesn’t carry a video camera around

Rob Kristoffersen: [00:48:43] with him everywhere he goes, I guess, I guess in order to

Dan LeFebvre: [00:48:46] get footage, you actually have to be with him. That camera for,

Rob Kristoffersen: [00:48:49] yeah. Yeah. It’s like, what, why did they, and here’s, here’s the thing that I struggle with with this movie.

Dan LeFebvre: [00:48:55] Whitley

Rob Kristoffersen: [00:48:56] Strieber wrote

Dan LeFebvre: [00:48:57] the screenplay for it.

Rob Kristoffersen: [00:49:00] And like, I know people are going to edit it and such, but like, this is your movie, man. Why did you write it like this? It’s not even, it doesn’t seem remotely close to most of what you experienced, but, Whitley every step of the way he did everything, I think a person should be doing if they want to explore their experiences, which is don’t contaminate things, that just kind of keep to yourself as best as you can about it.

seek help and, you know, explore that don’t contaminate. yourself with like, he never really read UFO books during the whole time that he was, going through these, hypnosis sessions. But after that, you know, he just, he included a bunch of research that he did into the book. But, during all that, never, never once read a UFO book.

Didn’t try to taint his pool of information about UFS because. He, he really didn’t have an opinion one way or another. He kind of, Went with, the government basically had three studies from, of the UFO phenomenon from, 1947, all the way up to 1969. And then when it was ruled in 69 that, the government should stop looking into this.

There’s really nothing with it. He was just like, okay, fine. There’s nothing but flying saucers, whatever, move on with your life. But, in terms of. Just being as authentic as possible. I think Whitley Strieber is as authentic as he can be. And some people are going to get on board with that. And some people aren’t when I told people I was reading this book and this is like the third time I’ve read this book now, which I don’t recommend for anybody.

Like, you gotta be crazy to read this thing three times, but, I, the part of it is people saying, Oh, this guy is like, he’s totally bogus. See, he’s totally just making it up. You know, just trying to sell books. I’m like, he’s a writer, of course he’s trying to sell books, but it doesn’t necessarily discount from his experience.

It’s like they forget that he was a really accomplished writer for almost 10 years before this came out. So, What Lee is as genuine a person. as I think anybody could be going through these experiences.

Dan LeFebvre: [00:51:18] Now you mentioned that night. I got to, point this out. Cause my first thought watching, I think I’ve actually said that a few times I have many first thoughts, but one of the things I thought of when I.

Saw this was, and you mentioned Whitley was the, I wrote the movie as well. It seemed kind of convenient to me that he is an author. He writes science fiction. And then in the movie, there’s a point where he’s like, Oh, I’m he has writer’s block. Like I need to come up with an amazing story. and then he comes up with his amazing story that ends up turning into a New York times bestseller, you know, and just, you know, almost, I want to say launched a career cause he already had a career, but, There’s a little bit of convenience there to play devil’s advocate to my previous point of, you know, him not calling them aliens, but I wonder how much of that, aside from just the, the different nature of the experiences, makes it difficult for people to believe this.

Do you think if he was not an author, before and. I don’t know if you know, around the time that this happened, that he was experiencing kind of the writer’s block, you kind of see, happened in the movie. but I don’t know. I could see how that could also be seen as kind of a, Oh, you were just looking for a good story and you came up with one that you know, that you just, now you have to kind of ride the wave.

so to speak. do you think that kind of hurts his credibility in that way? I’m sure to some people a

Rob Kristoffersen: [00:52:42] will, but, the writer’s block is completely made up. He never had writer’s block. He actually published a book, I believe in 1985 and 1986 before he published communions. So there is that bit that makes you wonder, maybe he’s just good at telling a story and.

I’ll be honest, I’ve read Whitley’s fiction, not as early fiction, but as later fiction. And I’m, I’m not a fan. I don’t think he’s a really totally great fiction writer these days. And, and I don’t mean to jab at him, but it’s just, the thrillers that he’s written that he’s written the last, since communion there, I definitely have that, Alien kind of spend on them.

He’s he’s written a book, about, alien human hybrids, a novel he’s written a novel about, the series called alien Hunter where this like covert group of, government agents just hunts down aliens and stuff like that. He definitely has a mind towards horror and science fiction to an extent, but.

I don’t think that at least for me, I don’t think that colors, anything in the book, because to me,

Dan LeFebvre: [00:54:02] even if

Rob Kristoffersen: [00:54:04] abduction literature is not necessarily popular, but it’s. It’s more mainstream than ever. And you’re a successful writer and you write a book about your abduction experiences. There’s a good chance that book is just going to flop.

I don’t understand why exactly community became such a successful bestseller. Maybe it’s because of the way it was written. Maybe it was just, how he came off in the book. I’m not exactly sure, but. To me, it’s more of a gamble to write a book like communion. And at the same time, why would you write six

Dan LeFebvre: [00:54:46] sequels

Rob Kristoffersen: [00:54:47] that don’t, that don’t have as wide an audience as comedian?

Did I know communion sold like over like 2 million copies. So, and it’s like one of his only books aside from, his newer ones that are still in print from the past, but. I don’t know. to me, it’s not as much of a deal breaker that just, you know, he’s a good writer, therefore, he’s spinning a good tail here.

Like I, like I said before, he’s, he’s seems like a really genuine person through and through he,

Dan LeFebvre: [00:55:19] yeah, he,

Rob Kristoffersen: [00:55:20] experienced some tough times after communion and like the years the, you know, directly after, he, he filed for bankruptcy. At one point, I believe in the nineties, he ended up, and one of the saddest experiences for him.

And I can’t remember exactly where it was. I think it was an, an interview I saw on YouTube. He was heartbroken that he had to sell the cabin in upstate New York. So, to me it doesn’t, but I could definitely see how that could paint. people’s pictures of Whitley and, and, and his writing.

Dan LeFebvre: [00:55:52] Well, it sounds like in the end, People need to read the book on their own and, and make up the, make up their mind as to whether or not they believe him.

And some people will, some people won’t just like any other story that’s out there.

Rob Kristoffersen: [00:56:05] Yeah. Yeah, exactly. And I mean, to, to kind of really harken to the name of your podcast, the reason that people are so upset by this book, the ones that that are is because it has the words, a true story written on the front.

Imagine if it didn’t even have those words on the front of say this was a novel, it actually be a pretty decent novel if you kind of cut out all of the, historical stuff that, I mean, there’s other interesting, you know, things beyond his experiences in here, but it would be a pretty interesting novel, but yeah, whether it’s a true story or not, you know, that’s.

That’s ultimately, you know, every person, every person has to decide that. So, If you’re coming at it from the film, I’d say go pick up the book, get a better perspective on it.

Dan LeFebvre: [00:56:59] Sounds great. Well, thank you so much, Rob, for your time and expertise, sharing it for reading communion yet again, I’m a third time.

If you read communion, maybe only read it once. Not multiple times, like Rob, it sounds like where can people find out more about your show and what you do?

Rob Kristoffersen: [00:57:16] Well, the podcast is available on every single platform. just search for our strange skies. I am on Twitter at our strange skies. we have a Facebook page and a group, just search our strange guys over there.

We’re on Instagram. So, I’m definitely out there. thank you so much for having me on man. This has been a blast.

Dan LeFebvre: [00:57:35] Oh yeah. It’s been, it’s been a lot of fun. The whole subject of UFO is, is something that. Fascinates me and I really enjoy your podcast. So it was really exciting to have you on appreciate it.

Rob Kristoffersen: [00:57:45] Thanks, man. Definitely appreciate it.

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